thought Iâd take you up on the offer of a tour.â
âI was hoping you would.â
âSo . . .â Deliberately, she shifted her gaze to the hull. It was safer, she decided, than looking into those tawny eyes for any length of time. âThatâs a boat?â
âItâs a hull. Or will be.â He took her hand, drew her forward. âItâs going to be a sportâs fisher.â
âWhich is?â
âOne of those fancy boats men like to go out on to act manly, fish for marlin, and drink beer.â
âHey, Sybill.â Cam shot her a grin. âWant a job?â
She looked at the tools, the sharp edges, the heavy lumber. âI donât think so.â It was easy to smile back, to look over at Ethan. âIt looks like the three of you know what youâre doing.â
âWe know what weâre doing.â Cam wiggled his thumb between himself and Ethan. âWe keep Phillip around for entertainment.â
âIâm not appreciated around here.â
She laughed and began to circle the hull. She could understand the basic shape but not the process. âI assume this is upside down.â
âGood eye.â Phillip only grinned when she cocked aneyebrow. âAfter sheâs planked, weâll turn her and start on the decking.â
âAre your parents boatbuilders?â
âNo, my mother was a doctor, my father a college professor. But we grew up around boats.â
She heard it in his voice, the affection, the not-quite-settled grief. And hated herself. Sheâd intended to ask him more about his parents in some detail, but couldnât. âIâve never been on a boat.â
âEver?â
âI imagine there are several million people in the world who havenât.â
âWant to?â
âMaybe. Iâve enjoyed watching the boats from my hotel window.â As she studied it, the hull became a puzzle she needed to solve. âHow do you know where to begin to build this? I assume you work from a design, blueprints or schematics or whatever you call it.â
âEthanâs been doing the bulk of the design work. Cam fiddles with it. Seth draws it up.â
âSeth.â Her fingers tightened on the strap of her purse. Props, she thought again. âDidnât you say he was in middle school?â
âThatâs right. The kidâs got a real talent for drawing. Check these out.â
Now she heard pride and it flustered her. Struggling for composure, she followed him to a far wall, where drawings of boats were roughly framed in raw wood. They were goodâvery, very good. Clever sketches done with pencil and care and talent.
âHe . . . A young boy drew these?â
âYes. Pretty great, huh? This is the one we just finished.â He tapped a hand on the glass. âAnd this oneâs what weâre working on now.â
âHeâs very talented,â she murmured around the lump in her throat. âHe has excellent perspective.â
âDo you draw?â
âA little, now and then. Just a hobby.â She had to turn away to settle herself. âIt relaxes me, and it helps in my work.â Determined to smile again, she tossed her hair over her shoulder and aimed a bright, easy one at Phillip. âSo, whereâs the artist today?â
âOh, heâsââ
He broke off as two dogs raced into the building. Sybill took an instinctive step back as the smaller of the two made a beeline in her direction. She made some strangled sound of distress just as Phillip jabbed out a finger and issued a sharp command.
âHold it, you idiot. No jumping. No jumping,â he repeated, but Foolishâs forward motion proved too much for all of them. He was already up, already had his paws planted just under Sybillâs breasts. She staggered a bit, seeing only big, sharp teeth bared in what she took for fierceness rather than a