meaning
that we impose upon motion.
Geryon is thinking this answer over as he kneels
beside the bathtub in his hotel room
stirring photographs back and forth in the developing solution. He picks out
one of the prints and pins it
to a clothesline strung between the television and the door. It is a photograph
of some people sitting at desks
in a classroom. The desks look too small for them—but Geryon is not interested
in human comfort. Much truer
is the time that strays into photographs and stops. High on the wall hangs a white
electric clock. It says five minutes to six.
At five minutes after six that evening the philosophers had adjourned the classroom
and made their way to a bar
down the street called Guerra Civil. The yellowbeard rode proudly at the front
like a gaucho leading his infernal band
over the pampas. The gaucho is master of his environment, thought Geryon
clutching his camera and keeping to the rear.
Bar Guerra Civil was a white stucco room with a monk’s table down the middle.
When Geryon arrived the others were
already deep in talk. He slid into a chair across from a man
in round spectacles.
What will you have Lazer?
said someone on the man’s left.
Oh let’s see the cappuccino is good here
I’ll have a cappuccino please lots of cinnamon and
—he pushed up his spectacles—
a plate of olives.
He glanced across the table.
Your name is Lazarus?
said Geryon.
No my name is Lazer. As in laser beam—but
do you wish to order something?
Geryon glanced at the waiter.
Coffee please.
Turned back to Lazer.
Unusual name.
Not really. I am named for my grandfather. Eleazar is a fairly common Jewish
name. But my parents
were atheists so
—he spread his hands—
a slight accommodation.
He smiled.
And you are an atheist too?
said Geryon.
I am a skeptic. You doubt God? Well more to the point I credit God
with the good sense to doubt me.
What is mortality after all but divine doubt flashing over us? For an instant God
suspends assent and poof! we disappear.
It happens to me frequently. You disappear? Yes and then come back.
Moments of death I call them. Have an olive,
he added as the waiter’s arm flashed between them with a plate.
Thank you,
said Geryon
and bit into an olive. The pimiento stung his mouth alive like sudden sunset.
He was very hungry and ate seven more,
fast. Smiling a bit Lazer watched him. Y
ou eat like my daughter. With a certain
shall I say lucidity.
How old is your daughter?
asked Geryon.
Four—not quite human. Or perhaps
a little beyond human. It is
because of her I began to notice moments of death. Children make you see distances.
What do you mean “distances”?
Lazer paused and picked an olive from the plate. He spun it slowly on the toothpick.
Well for example this morning
I was sitting at my desk at home looking out on the acacia trees that grow beside
the balcony beautiful trees very tall
and my daughter was there she likes to stand beside me and draw pictures while
I write in my journal. It
was very bright this morning unexpectedly clear like a summer day and I looked up
and saw a shadow of a bird go flashing
across the leaves of the acacia as if on a screen projected and it seemed to me that I
was standing on a hill. I have labored up
to the top of this hill, here I am it has taken about half my life to get here and on
the other side the hill slopes down.
Behind me somewhere if I turned around I could see my daughter beginning to climb
hand over hand like a little gold
animal in the morning sun. That is who we are. Creatures moving on a hill.
At different distances,
said Geryon.
At distances always changing. We cannot help one another or even cry out
—
what would I