Free The Accidental Detective and other stories by Laura Lippman

for what was to become the master bath suite. (“Medley” was their word, not mine.)
    She had said she wanted it fast, which made me ache a little, because the faster it went, the sooner I would be out of her world. But it turned out she didn’t care about speed so much once we got the house to the point where she could live among the ongoing work—and once her end-of-the-day inspections culminated with the two of us in her raw, unfinished bedroom. She was wilder than I had expected, pushing to do things that Angeline would never have tolerated, much less asked for. In some part of my mind, I knew her abandon came from the fact that she never lost sight of the endpoint. The work would be concluded and this would conclude, too. Which was what I wanted as well, I guess. I had no desire to leave Angeline or cause my kids any grief. Deirdre and I were scrupulous about keeping our secret, and not even my longtime guys, the ones who knew me best, guessed anything was up. To them, I bitched about her as much as I did any client, maybe a little more. “Moldings?” my carpenter would ask. “Now she wants moldings?” And I would roll my eyes and shrug, say: “Women.”
    â€œMoldings?” Deirdre asked.
    â€œDon’t worry,” I told her. “No charge. But I saw you look at them.”
    And so it was with the appliances, the countertops, the triple-pane windows. I bought what she wanted, billed for what she could afford. Somehow, in my mind, it was as if I had sold the house for $225,000, as if all that profit had gone to me, instead of the speculator who had bought the house from my mother and then just left it alone to ripen. Over time, I probably put $10,000 of my own money into those improvements, even accounting for my discounts on material. Some men give women roses and jewelry. I gave Deirdre a marble bathroom and a beautiful old mantel for the living room fireplace, which I restored to the wood-burning hearth it had never been. My grandparents had had one of those old gas-fired logs, but Deirdre said they were tacky and I suppose she was right.
    Go figure—I’ve never had a job with fewer complications. The weather held, there were no surprises buried within the old house. “A deck,” I said. “You’ll want a rooftop deck to watch the fireworks.” And not just any deck, of course. I built it myself, using teak and copper accents, helped her shop for the proper furniture, outdoor hardy but still feminine, with curvy lines and that verdigris patina she loved so much. I showed her how to cultivate herbs and perennials in pots, but not the usual wooden casks. No, these were iron, to match the décor. If I had to put a name to her style, I guess I’d say Nouvelle New Orleans—flowery, but not overly so, with genuine nineteenth-century pieces balanced by contemporary ones. I guess her taste was good. She certainly thought so and told me often enough. “If only I had the pocketbook to keep up with my taste,” she would say with a sigh and another one of those sidelong glances, and the next thing I knew I’d be installing some wall sconce she simply had to have.
    One twilight—we almost always met at last light, the earliest she could leave work, the latest I could stay away from home—she brought a bottle of wine to bed after we had finished. She was taking a wine-tasting course over at this restaurant in the old foundry. A brick foundry, a place where men like my dad had once earned decent wages, and now it housed this chichi restaurant, a gallery, a health club, and a spa. The old P&G plant became something called Tide Point, which was supposed to be some high-tech mecca, and they’re building condos on the grain piers. The only real jobs left in Locust Point are at Domino Sugar and Phillips, where the red neon crab still clambers up and down the smokestack.
    â€œNice,” I said, although in truth I don’t care