Free On the Road by Jack Kerouac

They grew wealthy overnight and had a beautiful little opera house built in the midst of their shacks on the steep slope. Lillian Russell had come there, and opera stars from Europe. Then Central City became a ghost town, till the energetic Chamber of Commerce types of the new West decided to revive the place. They polished up the opera house, and every summer stars from the Metropolitan came out and performed. It was a big vacation for everybody. Tourists came from everywhere, even Hollywood stars. We drove up the mountain and found the narrow streets chock full of chichi tourists. I thought of Major’s Sam, and Major was right. Major himself was there, turning on his big social smile to everybody and ooh-ing and aah-ing most sincerely over everything. “Sal,” he cried, clutching my arm, “just look at this old town. Think how it was a hundred—what the hell, only eighty, sixty years ago; they had opera!”
    “Yeah,” I said, imitating one of his characters, “but they’re here.”
    “The bastards,” he cursed. But he went off to enjoy himself, Betty Gray on his arm.
    Babe Rawlins was an enterprising blonde. She knew of an old miner’s house at the edge of town where we boys could sleep for the weekend; all we had to do was clean it out. We could also throw vast parties there. It was an old shack of a thing covered with an inch of dust inside; it had a porch and a well in back. Tim Gray and Ray Rawlins rolled up their sleeves and started in cleaning it, a major job that took them all afternoon and part of the night. But they had a bucket of beerbottles and everything was fine.
    As for me, I was scheduled to be a guest at the opera that afternoon, escorting Babe on my arm. I wore a suit of Tim’s. Only a few days ago I’d come into Denver like a bum; now I was all racked up sharp in a suit, with a beautiful well-dressed blonde on my arm, bowing to dignitaries and chatting in the lobby under chandeliers. I wondered what Mississippi Gene would say if he could see me.
    The opera was Fidelio. “What gloom!” cried the baritone, rising out of the dungeon under a groaning stone. I cried for it. That’s how I see life too. I was so interested in the opera that for a while I forgot the circumstances of my crazy life and got lost in the great mournful sounds of Beethoven and the rich Rembrandt tones of his story.
    “Well, Sal, how did you like the production for this year?” asked Denver D. Doll proudly in the street outside. He was connected with the opera association.
    “What gloom, what gloom,” I said. “It’s absolutely great.”
    “The next thing you’ll have to do is meet the members of the cast,” he went on in his official tones, but luckily he forgot this in the rush of other things, and vanished.
    Babe and I went back to the miner’s shack. I took off my duds and joined the boys in the cleaning. It was an enormous job. Roland Major sat in the middle of the front room that had already been cleaned and refused to help. On a little table in front of him he had his bottle of beer and his glass. As we rushed around with buckets of water and brooms he reminisced. “Ah, if you could just come with me sometime and drink Cinzano and hear the musicians of Bandol, then you’d be living. Then there’s Normandy in the summers, the sabots, the fine old Calvados. Come on, Sam,” he said to his invisible pal. “Take the wine out of the water and let’s see if it got cold enough while we fished.” Straight out of Hemingway, it was.
    We called out to girls who went by in the street. “Come on help us clean up the joint. Everybody’s invited to our party tonight.” They joined us. We had a huge crew working for us. Finally the singers in the opera chorus, mostly young kids, came over and pitched in. The sun went down.
    Our day’s work over, Tim, Rawlins, and I decided to sharp up for the big night. We went across town to the rooming house where the opera stars were living. Across the night we heard the