leaves.
Inside a storyâs spell,
you find your way back,
where a stone on a path waits
for you to stumble.
Like the kaleidoscopeâs contents,
time is jumbled, opening at will.
Now: a too-bright sun and you,
teetering on a wall,
parasol clutched tight as you tumble.
This parasol is, for a moment,
everything youâve lost
and all that can console.
from The Southern Review
MARTY M C CONNELL
----
vivisection (youâre going to break my heart)
the frog ready for inspection, skin flaps
opened and pinned back, organs
arrayed for the takingâthis is how
I approach you. and you. here, my spleen
for the squeezing. my intestine
to be strung out, perhaps wrapped
around the neck like a lariat. not
for the squeamish, my heart thudding
to be plucked out with a delicate thumb
and forefinger, dinner for the willing,
and beautiful, and broken. I am not smart
about love, is what Iâm saying. not even
smart about whose face I will take
in my hands and press against my face
until we are a single organism. the mouth
is not an organ but I give it to you
anyway, I give it all away is what
Iâm saying. Iâm easy to adore. my torso
a life raft strung with Christmas lights
and full of all your favorite things, beer
and expensive cheese and songs
about leaving. Iâm so beautiful
splayed out on this tray full of tar
and entrails. Iâm so useful
I could be a meal for an army
of traumatized surgeons, Iâm full-time
at this job of bleeding, my esophagus
a stripper pole or cocaine straw.
when I say eat me I mean
suck the bones clean, leave nothing
for the waiting, nothing for the vultures
or the travelers to come.
from The Carolina Quarterly
VALZHYNA MORT
----
Sylt I
Lie still, he says.
Like a dog on the beach
he starts digging
until the hole fills up with water.
He has already dug out two thighs of sand
when she finally asks, whatâs there,
convinced thereâs nothing.
Thereâs nowhere he can kiss her where she hasnât already been kissed by the sun.
Every evening she goes to the ocean with her three sisters and their old father.
They strip in a row,
their bodies identical as in a paper garland.
Bodies that make you think of women constantly chopping vegetables
âit is like living by the train station,
their father swearsâ
and always putting the last slice into their mouths.
For her, there is not even a knife left in the whole house.
The sound of a cuckoo limps across the dunes.
She takes a beam of sunlight sharpened side by side with stones
and cuts with it
and you can tell her vegetables from the othersâ
by how they burn.
By now they already stand wrapped in cocoons of white towels,
her teeth, crossed out by a blue line of lips, chatter,
scratching the grains of salt. Her bitten tongue
bleeds out into the mouth a red oyster,
which she gulps, breathless.
Their father turns away to dry his cock,
but the girls rub their breasts and crotches openly,
their hands skilled at wiping tables,
their heads as big as the shadow of the early moon,
their nipples as big as the shadows of their heads,
and black so that their milk might look even whiter.
She, too, is rough and indifferent toward her full breasts,
as if she were brushing a cat off the chair
for her old father to sit down.
They drink beer in the northern light that illuminates nothing but itself.
Sailboats slip off their white sarafans
baring their scrawny necks and shoulders,
and line up holding on to the pier as if it were a dance bar.
It bothers her, what did he find there after all?
So she touches herself under the towel.
It is easy to find where he has been diggingâ
the dug-up spot is still soft.
The water is flat like fur licked down by a clean animal.
A bird, big even from afar,
believes the ocean is its egg.
So the bird sits on the ocean patiently
and feels it kick slightly now and then.
from New Letters
HARRYETTE