The Best American Poetry 2014

Free The Best American Poetry 2014 by David Lehman

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Authors: David Lehman
_____
    â€‚might’ve said , echoed
    â€ƒâ€ƒâ€ƒâ€ƒâ€ƒâ€ƒâ€ƒâ€ƒâ€ƒwith-
    â€‚out end or
    amen
    ________________
    â€ƒStories told wanting to
    be where they pointed . . .
    â€ƒFlames they sat encircling
    â€‚telling tales . . . The telling
    â€ƒâ€‚come
    â€‚to no end, they sat listen-
    â€ƒing, flame-obsessed, ears
    blown on by the wind . . .
    â€‚What was it the singing
    said,
    â€ƒthey kept wondering.
    Something about a crash,
    â€‚they thought . . . That the
    what-sayer sang smoked
    out
    â€‚certainty, they were un-
    â€ƒsure. Something about
    rescue, they thought . . .
    No
    â€‚sooner thought than it
    â€ƒwas time to get going.
    Trip City loomed outside
    â€‚the
    â€ƒwoods’ theoretic rest,
    â€‚bait they were bent on
    reach-
    â€‚ing that much
    more
    â€¢
    â€œA madman at the wheel,”
    â€‚they heard him whisper,
    the boy-god’s low-key
    â€ƒinvective to no avail.
    Rocked
    â€ƒfrom side to side, put
    upon by chaabi, a madman
    â€‚at the wheel beyond a
    doubt . . .
    â€ƒRocked from side to
    side, a boat it might’ve
    â€‚been, the birdlegged boy
    its masthead had it been, a
    â€ƒslur
    â€ƒpulled at the side of his
    mouth. This the ythmic
    â€‚trek to Trip City: car
    no metaphor, inveterate skid
    â€ƒâ€ƒno
    â€ƒallegory, the ditch they
    ended up in literal, every-
    â€‚thing resolute, real . . . So
    they thought or so they
    said
    â€‚they thought. Thought
    disputed it. Mr. P’s law
    â€ƒwas that thought would
    â€ƒhave
    â€ƒnone of it. So much of
    what they said they thought
    â€‚thought refuted, Mr. P’s
    â€ƒac-
    complice, they complained . . .
    â€‚No sooner that than the
    skid they thought endless
    â€ƒended. No sooner that
    â€‚as
    though complaint made it
    â€‚so . . . An increased im-
    munity came over them, what-
    â€ƒsaid cover, thought’s
    qualm
    â€‚and rebuff, cover’s what-
    said complaint . . . Cover’s
    â€‚whatsaid compliance it was,
    â€ƒâ€ƒwhat-
    â€ƒever worked worked out ad
    hoc . . . The tale’s torn cloth
    â€‚what all there was of it,
    the tale the tale’s rending,
    â€ƒnot
    â€‚enough. They awoke some
    â€ƒother morning on some
    other side of morning, happy
    â€ƒâ€ƒto
    â€ƒawake but happy-sad to be
    awake, unsure they were awake,
    â€‚surprised . . . They were get-
    ting to be chagrined again. No
    â€ƒâ€ƒâ€‚one
    â€ƒcould say what they made
    of it, road gone from as it
    â€‚was, awoke from what . . .
    Sprawled in what was known
    â€ƒâ€ƒas
    â€‚aftermath, light’s disguised
    â€ƒarrival, light’s abject ad-
    dress . . . Light looking into
    â€ƒâ€‚which
    they could only squint, go
    â€ƒoff the road where the
    â€‚highway bent . . . That was
    â€ƒâ€‚the
    â€‚way the story
    went
    from Poet Lore

CATE MARVIN
----
An Etiquette for Eyes

    I don’t know
    if I wore glasses
    when I met you
    but I know
    the last time
    I saw you you
    drank a drink
    I bought you
    with another
    woman who
    was far uglier
    than I have
    ever been. I have brown eyes, did I ever tell you?
    Your eyes are too too blue, tell-all awful, and too
    too pretty; you make all the girls swoon, and then
    lament how harpies pound on your door, plucking
    the very shingles off your roof, conducting through
    their unanimous will a plot to kill your hive’s queen,
    fix a hose from the car’s tailpipe to pump barnyard
    dread straight into your ken, therefore you demand
    I ought never wish to lie in your bed. I have black eyes,
    did I tell you? But your eyes are damp blue, fingers in
    winter blue, worrying about a prom date blue, never
    washed a dish blue. Have I mentioned my eyes are
    dead brown, dirt brown, stone brown, done with you
    brown, screaming out in the streets

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