The Mothers

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Authors: Brit Bennett
so naturally, he was startled to find it a problem.
    A daughter grows older and draws nearer to her mother, until she gradually overlaps her like a sewing pattern. But a son becomes some irreparably separate thing. So even though she hated to see her son cry, she was grateful for the chance to mother him again. She pulled him to her shoulder, stroking his hair.
    â€œShh now,” she said. “Mama’s taking care of it.”
    At the bank, she withdrew six hundred dollars, and slid the cash in an envelope for Luke to give the girl. John hadn’t slept that night, tossing in bed, then pacing across the bedroom floor.
    â€œWe shouldn’t have done this,” he said. “My spirit-man is grieved.”
    But Latrice refused to feel guilty about it. They hadn’t forced the girl to do anything she didn’t already want to do. A girl who didn’t want a baby would find a way to not have one. The good thingto do—the Christian thing—would be to make it a little easier on her. Now the girl could go off to college and leave their lives. It wasn’t a perfect solution, but thank God it wasn’t the disaster it could have been.
    Still, John felt grieved, and when Robert Turner had arrived at church on Sunday, his wrecked truck already felt like a sign, the beginning of a long judgment. So John had gone to Robert’s house and offered the girl a pity job without even consulting Latrice first. Now the girl would be all under her this summer, only because John wanted to atone for undeserved grief.
    â€œI don’t owe her a thing,” she said. “I’m all paid up.”

FOUR
    A t Elise Turner’s funeral, the whole church arrived early, spilling out of the pews.
    We have known hard deaths before. Sammy Watkins, who’d been stabbed outside a bar, his body crumpled and wedged between two trash cans. Moses Brewer, who’d been found in Buddy Todd Park, bludgeoned to death. Kayla Dean, a fourteen-year-old shot by Mexican Bloods because she’d been wearing her boyfriend’s bright blue jacket. For a week, her high school had erupted in brawls between blacks and Mexicans until police arrived in riot gear and sheriff’s helicopters circled overhead. All the while, Upper Room remained a source of calm, Pastor Sheppard urging sense in a situation that made none. To be killed over a jacket. A child, waiting for fish tacos outside Alberto’s, who’d borrowed a jacket because she was cold, because her mother had fussed at her for coming home without one and tempting sickness. At Kayla Dean’s funeral, Upper Room had encircled thewailing mother and held her up, soundlessly, because hard deaths resist words. A soft death can be swallowed with
Called home to be with the Lord
or
We’ll see her again in glory,
but hard deaths get caught in the teeth like gristle.
    We have known hard deaths, but the difference was that Elise Turner had chosen one. Not a handful of pills to stretch sleep, not a running motor in a closed garage, but a pistol to the head. How could she choose to destroy herself so violently? We’d all squeezed into pews, not knowing what to expect. What would the pastor say? Not the usual funeral scriptures, those would not do. We wouldn’t see her again in glory because what glory awaited a woman who’d sent a bullet into her own head? She had not been called home to be with the Lord—she had simply chosen to leave. Imagine, having the gall to choose when so many had that choice taken away from them. How dare she opt for a hard death when the rest of us were trying to manage the hard lives we’d been given?
    We have never understood it, although maybe we should. We are, after all, the last ones to have seen Elise Turner alive. The morning she killed herself, we’d gone to Upper Room early to get started on our praying. At first, when we’d peeked through the sanctuary doors, we only saw a person wrapped in a down coat,

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