you wonât be home until two or three. Four maybe. Iâd say you could stay at mine, only itâs best not tonight, with everything going on.â
Marilynâs youth club started at 7.30. Everyone was there by then, queueing up at the doors, giggling and pushing each other, looking at each otherâs clothes. At ten oâclock they were all back home in their beds. Sheâd never been up past eleven oâclock, except last year on New Yearâs Eve. Nobody else at home stayed up, but she sat and watched the Scottish programme, and waited to feel different because it was another year. But nothing changed and she went to bed. It was cold. She was really tired in the morning and her mum grumbled at her.
Tonight was going to be very different. Marilyn realised how excited she was. This was something completely new.
âBye then,â said Kyle, and let himself out, closing the door behind him.
âWhatâs happened to you? You seem so different.â
Sheilaâs standing up. Weâve been talking. For a while.
Iâm trying to remember everything. So I can write a section in the 1962 project. âDay in the life of a seventeen-year-old girlâ or something.
I think Iâve got carried away.
âMarilyn, youâre so quiet. I always know when thereâs always something going on underneath. Are you covering something up?â
My heart heads way over its speed limit. Could go into cardiac arrest any time. Not sure if theyâve invented the kiss of life yet. Even if Sheila could bring herself to give it to me.
I think hard. If I died. Would it be Marilyn who died? Or me? Or am I meant to die to get back to myself?
Sheâs right. Iâm different. Very different.
But she doesnât know how. Would she believe me? Has Marilyn told anyone? Canât even think about that right now.
Sheilaâs looking at me. Hard.
I take a breath. Heart slows. To a manageable speed.
âSheila, thereâs something I need to tell you.â
She sits down again. Looks like she could run away. At any moment.
âYouâre my best friend, right?â Need to establish some ground rules here.
âYes.â She sounds doubtful.
âSo thereâs nothing I canât tell you?â
She shifts in the chair. Doesnât say anything.
âThere is something different, youâre right.â My voice has a little quiver in it. Clench my hands. So the fingernails dig in. Only Marilynâs fingernails are short so it doesnât hurt like it should.
Sheila looks worried.
âYouâve not done something stupid have you? With that boy, Tony? Or someone else?â
âWhat do you mean?â
âYouâve not â lost it, have you?â
âIâm always losing it, thatâs my trouble.â
I see from her face that she means something else, not having a major tantrum.
âDonât avoid the question. You know what I mean.â
Iâm now seriously lost.
âAnd donât ask me to find a way out if you are. Itâs illegal, and you could die. And anyway, I donât know how. Something to do with knitting needles and a bottle of gin, Mam said.â
My eyes are filling up. Make a little sobbing sound without meaning to. Canât help it. Everythingâs bad enough. Without all this dying talk.
Sheilaâs gathering power. Her backâs straight. Her voice is clipped. Staring straight ahead. Avoids looking at me.
âWhy would you do it anyway? Itâs not as if you want to, itâs disgusting, and you need to save yourself. Or nobody will respect you.â
I donât understand what sheâs telling me. I seem to be losing the only friend Iâve got here.
âDonât cry.â Sharp voice.
âWhat?â I canât believe this.
âDonât cry, I said. It wonât help. How late are you?â
Sheâs looking at me. Face red. Like sheâs said something totally