and would seduce him. Personally he had never encountered such a picture.
He greatly appreciated the coal drawings of KäThe Kollwitz, but Kollwitz was out of reach both in terms of price and in other ways. But something along those lines, he thought. In fact, the artist's name was less important; however, the impact had to match that of Kollwitz if it were to move him. Few artists had such an impact. But if he were ever to spend his seventy thousand kroner on anything it would surely have to be a painting. He had often thought that he might do a bit of travelling, but it had remained a thought. Although he fancied a trip to Copenhagen at some point, a weekend break perhaps. Potter about in the friendly Danish atmosphere, eat warm open sandwiches with liver pâté and crispy bacon, have a Tuborg and a snapps or a 'lille en', as Danes called it. However, he preferred his flat, and from this base he went for walks in the town and surrounding area. For example, he often drove up to Spiralen and went for long walks through the forest. There were people and dogs he could watch, there was nature with its smells and mild breezes. There was a view. And last but not least a lovely cafe where he would buy a roast beef sandwich with remoulade. On a few occasions someone had struck up a conversation with him and he had stopped and replied politely, but he never encouraged a lengthy conversation. He went to the cinema from time to time. He studied the film reviews in the newspaper and whenever he came across something interesting, off he would go to buy a ticket. He had seen many excellent films. He liked sitting in the dark cinema with all the other people he would never have to talk to. And munching some chocolate, a Cuba bar perhaps. He even liked the adverts, he found them entertaining. He liked going out into the street afterwards, filled with this experience, if the film had been a good experience and it had been on some occasions. He never got tired of playing Mozart's Requiem on his stereo. He thought the best paintings were good enough to hang on a living-room wall a whole lifetime, and would last into the next generation. Though if he were to buy a picture there would be no one to leave it to; however, this did not worry him unduly, after all, when you are dead you are dead and he was not troubled by how strangers might dispose of his property. A retirement home? he thought next. No, not a retirement home, not at any cost. True, his mother had spent three years in a retirement home and been looked after very well, but there was no way he was going there. He wanted to stay in his home. He was going to die in his own bedroom even if he did end up needing home care. He could not imagine it any other way.
There, he had reached the gallery. He entered the code and disabled the alarm, opened the door and went inside. All the pictures hung there. They were like old friends to him. Selling a picture was always an ambiguous experience. It meant it disappeared and he would never see it again. Pictures he had been studying for several months could suddenly be snatched away. But then a joyful event followed, which never failed to lift his spirits. Ole Krantz would hang a new one. Today the waterfall was leaving and Alvar would miss its roaring water torrents.
CHAPTER 6
'I'm starting to feel a little worried,' Alvar says, stopping in the middle of the floor. 'I didn't mean to disturb you, you know it's not in my nature; but as I said, I'm worried. I have trouble sleeping. I can't handle that. Suddenly I'm lying in my bed overcome with panic.'
His voice is troubled.
I am sitting in front of the computer, my fingers skate quickly across the keyboard. There are times it becomes flexible like a ribbon in my hands and I can bend and twist the language any way I please. Alvar comes up behind me, shifting nervously from one foot to the other.
'Are you really going to burden me with your sleeping problems and anxiety?'
I turn round and give