Then I swallowed the pill, and the tube I was in was in me
. Thatâs the whole letter.
Itâs a warm day. The big leaves of the sycamores look limp and tired after the long summer. A red-tailed hawk shuttles between the steep rock walls. I try to imagine myself inside myself, with my own breathing and heartbeat like weather around me. The river lifts and settles, pressing the warped planks of the dock against my shoulder blades. The water smells oily. My father has told me that at one time Kentucky was under a large inland sea. Thatâs why itâs full of limestone, which is made up of millions of tiny skeletons of tiny fish. Now all thatâs left of the sea is the river, which flows eventually into the Mississippi. For centuries the river has pushed its way over and through and along the rock, carving the gorge.
I hear Phoebe before I see her, grunting softly as she makes her way down the grass bank, dusty yellow summer squash in each hand. âI forgot all about these,â she says. âWe can eat off the fruits of our labor.â
âTechnically, itâs not
our
labor,â I say, since my father is the one who kept up with the garden before leaving for the Holy Land.
âTechnically, I found them and picked them. Thatâs pretty laborious.â She steps out onto the dock, holding the squash out to her sides to keep her balance.
âYouâre wearing my jeans,â I say.
âNot your new pair. Not the ones I made you.â She is wearing the charity box Jordache pair, which fit her better than they fit me. Under stress, Phoebe gets smaller and smaller. She has new finger-sized shadows between her ribs. My ribs donât even show anymore, and above them my breasts just get bigger and more painful. Sometimes I think theyâre going to keep on swelling forever, the way my fatherâs tomatoes do on the vine, splitting wide open if you donât pick them in time.
âDid he say anything about me?â Phoebe says, lowering herself to a crouch. Then she loses her balance and sits down hard. A corner of the dock dips into the river, picking up a film of water.
I hold out the letter. âRead it yourself,â I say. Which is rude. Phoebeâs mouth turns down and her chin points. She will hold the face until she gets an apology.
âHe misses being home,â I say quickly.
âReally?â
âHe says he loves you.â
âMaybe I should take a look at that after all.â Phoebe sets down the squash and holds out her hand.
As she reads, I watch the surface of the water. Sometimes itâs a black-green sheet of glass, but today you can see the current, flexing and unflexing like a long muscle. Soon Phoebeâs mouth is doing the pre-crying thing, like sheâs sucking on a piece of hard candy. I know I should feel bad about lying, but what I feel instead is angry.
âI want you to close your eyes with me, Charmaine,â Phoebe says, tucking in her chin. âLord, first of all we thank you for teaching us not to take our mental health for granted.â
I try to pray what she prays, but I canât. Then I try to start up my own prayer, but I am fully in the grip of my fallen nature, and the only words that surface are ugly:
Lord, make my mother shut up
.
âWe also give you the glory for this fine day,â she goes on.
Shut up, shut up, shut up
, I pray. I canât help it.
âHelp Charmaine and I to support each other with honesty and respect. Amen.â Phoebe raises her head. âI just thought he might have said âLook after your mother,â or something. You donât have to make things up.â
A breeze stirs the leaves around us and they flip over, changing entire trees to a paler, grayer shade of green, then back to normal. âWhat happened with the rubber hand?â I finally say, cross because sheâs the only person I have to ask.
âHeâs a little confused,â she says.
Eric Flint, Charles E. Gannon