asâ â he craned, surveying the interior â âelectric lights, a small electric range and refrigerator, and similar primitive devices; not to mentionâ â he indicated a maze of pipes â ârunning water, a compact little privy connected with â I assume â a septic tank buried somewhere below, and so on. These things â forgive me, Mac â blow bugs through your logic. The only essential differences between your house and your stepfatherâs are that yours is smaller and thirty feet in the air.â
âJust being practical,â shrugged the giant. âItâs my opinion itâll happen any day now. But I can be wrong â it may not come till next year. Iâm just taking advantage of the civilized comforts while theyâre still available. But youâll notice I have a .22 rifle hanging there, a couple of .45s, and when my ammunition runs out or I canât rustle any more thereâs a bow thatâll bring down any deer that survives the party. I practise daily. And Iâm getting pretty good running around these tree-tops ââ
âWhich reminds me,â said Laurel. âUse your own trees after this, will you, Mac? Iâm no prude, but a girl likes her privacy sometimes. Really, Ellery ââ
âMacgowan,â said Ellery, eyeing their host, âwhatâs the pitch?â
âPitch? Iâve just told you.â
âI know what youâve just told me, and itâs already out the other ear. What character are you playing? And in what script by whom?â Ellery set the glass down and got to his feet. The effect he was trying to achieve was slightly spoiled, as he almost fell off the porch. He jumped to the side of the house, a little green. âIâve been to Hollywood before.â
âGo ahead and sneer,â said the brown giant without rancour. âI promise to give you a decent burial if I can find the component parts.â
Ellery eyed the wide back for a moment. It was perfectly calm. He shrugged. Every time he came to Hollywood something fantastic happened. This was the screwiest yet. He was well out of it.
But then he remembered that he was still in it.
He put his hand in his pocket.
âLaurel,â he said meaningly, âshall we go?â
âIf itâs about that piece of paper I saw you find in Leanderâs mattress,â said young Macgowan, âI wouldnât mind knowing myself whatâs in it.â
âItâs all right, Ellery,â said Laurel with an exasperated laugh. âCrowe is a lot more interested in the petty affairs of us dreamers than he lets on. And in a perverted sort of way I trust him. May I please see that note?â
âIt isnât the note you saw your father take from the collar of the dog,â said Ellery, eyeing Macgowan disapprovingly as he took a sheet of paper from his pocket. âItâs a copy. The original is gone.â The sheet was folded over once. He unfolded it. It was a stiff vellum paper, tinted green-grey, with an embossed green monogram.
âDaddyâs personal stationery.â
âFrom his night table. Where I also found this bicoloured pencil.â Ellery fished an automatic pencil from his pocket. âThe blue lead is snapped. The note starts in blue and ends in red. Evidently the blue ran out half-way through his copying and he finished writing with the red. So the pencil places the copying in his bedroom, too.â Ellery held out the sheet. âIs this your fatherâs handwriting?â
âYes.â
âNo doubt about it?â
âNo.â
In a rather peculiar voice, Ellery said, âAll right, Laurel. Read it.â
âBut itâs not signed.â Laurel sounded as if she wanted to punch somebody.
âRead it.â
Macgowan knelt behind her, nuzzling her shoulder with his big chin. Laurel paid no attention to him; she read the note with a set
Edward George, Dary Matera