time.â
âDonât worry, itâs no problem.â
She turned towards the boy and waved and smiled at him and still he lay on his side, his cheek resting on the clownâs head, staring up at the policeman.
âEspecially as youâve come to talk about Nadia, the poor thing.â
âItâs me whoâs come at a bad time. I hoped to talk to her family and friends at the funeral, but no-one came, so Iâve been forced to come bothering people at home to ask them questions. Did you know Nadia well?â
âWe got on O.K., but I wouldnât say I knew her well. We had coffee sometimes, talked about our sons, about our problems ⦠I wanted to come to the burial, sorry, I mean ⦠she was cremated, wasnât she? But I didnât have the strength. Iâm not good with that sort of thing.â
âNo-oneâs good with that sort of thing.â
The woman sighed. She seemed to be thinking, searching for words.
âI canât stop thinking about Victor, the poor kid, heâs all alone now.â
âDoesnât he still have a grandfather? Nadiaâs father.â
Sandra shook her head.
âI donât think sheâd seen him in years. He lives somewhere near Aixen-Provence, I think. Thatâs if heâs still alive â¦â
âWhat do you mean?â
âNothing, I mean ⦠He might be dead, I donât know, she burned her bridges long ago. I donât think she really saw him after she ran away from home in her teens. Can I ask you something?â
She did not give Vilar time to reply.
âHow did she die? What did he do to her?â
âDo you really want to know?â
Sandra blushed a bit, but held his gaze.
âYes. Itâs important to know if she suffered. We might not have been close, but we talked a lot, we talked about our troubles, sheâd come round to mine for dinner or weâd go to hers. Victor and José got on well. So yes, I really want to know whether they hurt her, even if I know it doesnât change anything.â
Her eyes were glistening. She poured herself another coffee, her movements halting, almost trembling.
âShe was beaten and then strangled.â
Sandra de Melo nodded, sitting motionless, staring down at the cup in her hand. Vilar allowed her time to collect her thoughts, to imagine what Nadia must have suffered in her dying moments. When she raised her cup and sipped her coffee, he said gently:
âA minute ago you said something about her running away from home ⦠Can you tell me a bit more about that?â
Sandra hesitated. She turned towards her son, who was crawling slowly towards the table, clutching his puppet.
âYeah. She told me she left home when she was sixteen, that thatâs when her life went all to hell. Before that, things had been going really well, she was good at school. A bit like me, I did O.K. at school, I actually liked it. I even managed to get my
baccalauréat
. Anyway, long story short ⦠Sheâd been really close to her mother â I think she was a teacher.â
âHer mother committed suicide, didnât she? Was that after Nadia left home? Because you said she ran away, but it sounds like she was really leaving for good. You said yourself, âshe left homeâ. â
âI donât know. I couldnât ask her. If I so much as mentioned her mother sheâd end up crying. But her father, I donât know, it was like she hated him.â
Here was something interesting. The father was the only surviving member of the nuclear family. His daughter runs away, his wife commits suicide, and there he is, alone. What sort of state must he have been in? How does someone survive something like that? In hisnotebook, Vilar scrawled half a dozen circles around the word âfatherâ. Nadia would have been a minor at the time. There would have been a missing personâs report. There might still be