to sit: Lorenzo on his right, the silent, stolid Cicco on his left. Bona sat directly across from her husband; Caterina sat to her left, facing Lorenzo, while I sat on Bona’s right.
A pair of servants hurried to light the tapers in two heavy candelabra upon the table; Galeazzo turned to one of them. “Bring the wine now, and the food; besides, I’m hungry, and Lorenzo cannot tarry.” He looked back at Bona. “Once we have eaten, you women must depart; we men have private business to discuss.”
“Then with your leave, Your Grace,” Lorenzo said, “I should like to present Her Grace the Lady Bona with a gift, for her hospitality, with hopes that it will ease some of the difficulties I have caused her.”
If Galeazzo was angered or insulted by Lorenzo’s second veiled reference to the violated woman, he did not show it. He nodded, faintly bored, and watched as Lorenzo reached into the pocket of his tunic and produced a box of red velvet studded with tiny diamonds.
“For you, Your Grace,” he said to Bona, and smiling, rose slightly in order to hand it to her across the table. “I pray this humble gift pleases you.”
Bona forgot her embarrassment and beamed. “Your Magnificence,” she said, “dear Lorenzo, no guest of mine has ever been more welcome . . . or more gracious.” She took it from him and held the box so that the gold embroidery and the diamonds glittered in the candlelight. “How very handsome.”
“Look inside, Your Grace,” Lorenzo prompted.
Carefully, the duchess opened the lid. Inside, tied together with a silk ribbon, was a thick rectangular object, slightly longer and broader than Bona’s hand; she lifted it out of the box, revealing a deck of cards made of thick parchment coated with white gesso and painted.
She did her best to mask her response, but I knew that she did not approve of playing cards. She forced a smile as she undid the ribbon. I stared with her at the backs, prettily illustrated with flowers and vases, and bordered by angels.
“They’re lovely,” she said to Lorenzo. “Thank you.”
“Turn it over,” Caterina said impatiently.
She did, and like Caterina, let go a slight gasp of amazement at the sight.
The front side of the card was covered in gold leaf, which had been painstakingly etched with numerous fine geometric designs; the texture made the bright gold flash with reflected light. Upon this dazzling backdrop was painted the image of a pauper, a young, wide-eyed man barefoot and dressed in tatters, with a walking stick resting against one shoulder. He stood on the very edge of a dark chasm; emerald and sapphire hills sprawled out behind him.
Bona began to set the cards out in front of her, one by one. “But these are beautiful,” she breathed.
“I know of your love for illustrated manuscripts,” Lorenzo explained. “I had hoped that these might please you. That one is the first in the deck; he is called the Fool.”
Galeazzo let go a laugh. “I know of these!” he said. “These are triumph cards. Oh, I will dazzle my companions with these!” He lowered his voice and winked slyly at Lorenzo. “Yet another way for me to lose money at the gambling table!”
The duchess tensed; Lorenzo saw, and said diplomatically to Galeazzo, “It’s true, my lord, that these are triumph cards. Yet this deck is special. Some would prefer to use it for more serious pursuits.”
Galeazzo scowled in puzzlement. “Such as?”
“Seeing the future.”
The duke lifted a brow and peered down at the cards with renewed interest. “Really?”
Beneath the table, Bona clenched one fist; only I could see, and only I knew that she wanted to cross herself out of fear. “These are devilish,” she whispered, so faintly that I was surprised that Lorenzo heard.
“Far from it, Your Grace,” he told her. “They reveal what God wishes us to see of the future, that he may deal more directly with our souls. Yet they could, I suppose, be misused by those with evil in
The Devil's Trap [In Darkness We Dwell Book 2]