the red chair, I'll fix the color later."
But sitting down is not a natural act for an angel: they stand or they fly; check any Renaissance painting. The great wings inevitably get crumpled, the halo always winds up distinctly askew; and there is simply no way, even for Uncle Chaim, to ask an angel to cross her legs or to hook one over the arm of the chair. In the end they compromised, and the blue angel rose up to pose in the window, holding herself there effortlessly, with her wings not stirring at all. Uncle Chaim, settling in to work—brushes cleaned and Scotch replenished—could not refrain from remarking, "I always imagined you guys sort of hovered. Like hummingbirds."
"We fly only by the Will of God," the angel replied. "If Yahweh, praised be His name—" I could actually hear the capital letters—"withdrew that mighty Will from us, we would fall from the sky on the instant, every single one."
"Doesn't bear thinking about," Uncle Chaim muttered. "Raining angels all over everywhere—falling on people's heads, tying up traffic—"
The angel looked, first startled, and then notably shocked. "I was speaking of our sky," she explained haughtily, "the sky of Paradise, which compares to yours as gold to lead, tapestry to tissue, heavenly choirs to the bellowing of feeding hogs—"
"All right already, I get the picture." Uncle Chaim cocked an eye at her, poised up there in the window with no visible means of support, and then back at his canvas. "I was going to ask you about being an angel, what it's like, but if you're going to talk about us like that—badmouthing the sky , for God's sake, the whole planet ."
The angel did not answer him immediately, and when she did, she appeared considerably abashed and spoke very quietly, almost like a scolded schoolgirl. "You are right. It is His sky, His world, and I shame my Lord, my fellows and my breeding by speaking slightingly of any part of it." In a lower voice, she added, as though speaking only to herself, "Perhaps that is why I am here."
Uncle Chaim was covering the canvas with a thin layer of very light blue, to give the painting an undertone. Without looking up, he said, "What, you got sent down here like a punishment? You talked back, you didn't take out the garbage? I could believe it. Your boy Yahweh, he always did have a short fuse."
"I was told only that I was to come to you and be your model and your muse," the angel answered. She pushed her hood back from her face, revealing hair that was not bright gold, as so often painted, but of a color resembling the night sky when it pales into dawn. "Angels do not ask questions."
"Mmm." Uncle Chaim sipped thoughtfully at his Scotch. "Well, one did, anyway, you believe the story."
The angel did not reply, but she looked at him as though he had uttered some unimaginable obscenity. Uncle Chaim shrugged and continued preparing the ground for the portrait. Neither one said anything for some time, and it was the angel who spoke first. She said, a trifle hesitantly, "I have never been a muse before."
"Never had one," Uncle Chaim replied sourly. "Did just fine."
"I do not know what the duties of a muse would be." the angel confessed. "You will need to advise me."
"What?" Uncle Chaim put down his brush. "Okay now, wait a minute. I got to tell you how to get into my hair, order me around, probably tell me how I'm not painting you right? Forget it, lady—you figure it out for yourself, I'm working here."
But the blue angel looked confused and unhappy, which is no more natural for an angel than sitting down. Uncle Chaim scratched his head and said, more gently, "What do I know? I guess you're supposed to stimulate my creativity, something like that. Give me ideas, visions, make me see things, think about things I've never thought about." After a pause, he added, "Frankly, Goya pretty much has that effect on me already. Goya and Matisse. So that's covered, the stimulation—maybe you could just tell them, him , about