it! â Sam held up his hand, eyes narrowed dangerously. âJust think it over for a minute. Thereâs always a shortage of good female comics.â
â Good is the word.â But I didnât say it too loudly. Something about Samâs attitude was beginning to proclaim âvested interestâ, even to my uncritical eyes.
âGood,â he repeated, on firmer ground. These things go in cycles. We feel the public may be tired of pretty girls standing up and snarling protest songs at them. Thereâs room for a comedienne who can also sing ballads and tearjerkers. There hasnât been one since Judy Canova â and look how big she was.â
âI remember,â I said, treading cautiously. âBut I donât think Lou-Ann is quite ââ
âAnd look at Dorothy Shay â the Park Avenue Hillbilly,â Sam went on enthusiastically. âYou get some fast patter and some sophisticated material and ââ
âNow, I know Lou-Ann isnât Park Avenue Hillbilly material,â I said firmly. âHillbilly, yes. Park Avenue, no.â
âOkay, so the kid needs a little more polish, a little more class. But then, thereâs nowhere she canât go ââ He broke off. Nothing I had said had been able to get through to him, but now something from the back of his own mind stopped him. He deflated like a punctured tyre.
âNowhere she couldnât have gone,â he corrected.
Here it came. He slumped in his chair, staring into space, his head turning from side to side in agonizing, unbelieving negation.
âThen the whole thing blew up,â he said. âRight in our faces. After we had their names on the contract, but before we had time to start the star build-up.â
âBart?â I asked.
âBart,â he agreed grimly. âWeâd been planning to phase him out of the act. You know the routine. A little less to do every few shows, then part of the background, then â pfft. He quietly disappears. And, all the while, Lou-Ann would have been coming to the fore, getting known, taking over the show.â
âBut it didnât work out that way.â
âHe got hold of the âHomesteaderâ song. They cut the disc. Nobody realized it was going to be that big a hit. Now, heâs dead centre in the Public Eye, and weâre stuck with him.â Sam got to his feet wearily, as though the effort of finally telling me the story had drained his last reserves of strength.
âDid Bart know what youâd planned?â
âHell, no. We were keeping it Top Secret â Agency level only.â Sam began moving towards the door slowly. âYou want to know something funny?â He bared his teeth in a brief, mirthless grimace.
âNow, Bart wants us to get rid of Lou-Ann. Phase her out of the act, and just leave him and the boys. More appeal to the public, he says. His female fans.â
âWell, why not?â I couldnât see why Sam was making such a grand tragedy production of it. âIt seems like the perfect answer. You just split up the act. And then you have two star acts. Perhaps even, two big television shows.â I should have known that, if the answer were that easy, Sam would have thought of it.
âIt doesnât quite work that way.â He paused at the door and turned back to me. âNothing in life is ever that simple. You see, Lou-Ann is married to him. Not only that, but sheâs still so crazy, out-of-her-skull nuts about the bastard that what he says goes! â
I spent the rest of the afternoon in a foolâs paradise, thinking that Sam had finally confided in me. I knew the worst â and it had nothing to do with Perkins & Tate. It was the Agencyâs problem.
After cleaning up a few jobs for remaining clients, and finishing the photo call, I went over and opened the window, and leaning against the window frame, looked down at the Thames. I even