door.
âThatâs right,â said Claire. âAunt Jane would never let anyone else use it after Barry died, so youâll find it virtually the same as it was then. She cleaned and vacuumed in there as she did throughout the rest of the house, and she took the sheets and pillows off the bed, but otherwise itâs pretty much the way Barry left it.â
âAre you saying she kept it as some sort of shrine?â
âOh, no, it wasnât like that,â Claire assured him. âShe simply had no reason to change it, so itâs remained as it was.â
Alcott opened the door and stood there for a moment before moving inside. Paget followed, while Claire hovered uncertainly in the doorway. The room smelt musty, suggesting that neither the door nor the window had been opened for some time.
It was as Claire had said: the room looked as if Barry Grant might return to it at any time. There were clothes in the wardrobe; there were books and papers on his desk, and magazines stacked neatly on the floor. Yellowing posters featuring cars and scantily clad girls were still pinned to the walls, and a guitar with broken strings stood in the corner.
The temperature outside was already climbing rapidly, but Claire shivered and wrapped her arms around herself. âI donât know why,â she said, âbut this room always gives me a funny feeling.â
âYou searched this room yourself, did you, sir?â asked Paget.
Alcott nodded. âLooking for a note,â he said, âor anything at all that might explain why the boy felt compelled to end his life in such a violent way, but there was nothing. Now we know why: Mrs Grant had taken the notes away.â
Paget turned to Claire. âI doubt if we will find anything in this room after all this time,â he said, âbut I would like to have someone come in to search the house for anything that might tell us who Barryâs friends were â old photographs, letters from university, perhaps, things that Mrs Grant may have kept locked away. With your permission, of course.â
Claire hesitated. âItâs not that I mind,â she told him, âbut I have quite a lot on at the moment. Do I need to be here?â
âI think you should be,â Paget told her. âAnd the sooner we do it the better. Do you think you could be here Monday morning? Say about nine? It shouldnât take too long.â
Claire frowned as she mentally rearranged the plans sheâd had for Monday, then nodded. âI can do that,â she told him. âIn fact it will give me a chance to sort a few things out myself.â
âThen thatâs settled,â Paget said, âand thank you.â
Alcott was shaking his head as he moved towards the door. âItâs uncanny,â he muttered as much to himself as to the others. âNothingâs changed. After all these years, it looks exactly as I remember it.â
âDoes it trigger any memories that might prove useful to us in this new enquiry?â asked Paget hopefully.
âMemories? Oh, yes,â said Alcott soberly. âBut useful . . .?â He shook his head.
âI believe you wanted to see the packing shed as well,â Claire said as she led the way to the head of the stairs, then started down without waiting for an answer. At the bottom, they followed her down and along the hall towards the back of the house. âThe key to the shed is in here,â she said, pausing beside an open door leading to the conservatory. âYou go ahead and Iâll catch up with you.â
Alcott continued on his way to the back door, but Paget followed Claire inside. âNow this
is
a surprise,â he said as he looked around. Over twenty feet long and perhaps twelve or thirteen feet wide, and all windows down one side, the conservatory looked out on a narrow strip of lawn and a vegetable garden, both woefully overgrown and in desperate need of water,
Julie Valentine, Grace Valentine
David Perlmutter, Brent Nichols, Claude Lalumiere, Mark Shainblum, Chadwick Ginther, Michael Matheson, Mary Pletsch, Jennifer Rahn, Corey Redekop, Bevan Thomas