interview for that newspaper, which, as you so helpfully pointed out, is on shaky ground. So if you both will excuse me. I need to lock up.â He fished around in his jacket pocket and came up with his keys. âYouâll let me know if you see Alistair again, wonât you, Anna? If heâs letting you feed him, maybe youcan coax him into staying put long enough for me to catch up with him.â
âSure.â I got to my thankfully steady feet. Frank and I locked gazes. His said we werenât done here. Mine agreed. It didnât matter that I had no way to contact him. Portsmouth was not a big place. Weâd find each other whether we wanted to or not.
Ellis held out his hand to the other man. âWeâll talk later, all right, Frank?â
âYeah, sure.â There was no enthusiasm in Frankâs answer, or the handshake. Then he walked us back through the shadowy house and out the front door, which he shut on us both. Firmly. That was followed up with the clacking of locks and dead bolts being turned.
âYou have to excuse Frank,â Ellis said. âDorothyâs death hit him really hard.â
âThatâs not surprising, I guess.â I also backed up as much as the small porch allowed. I needed some breathing space. Ellis Maitland was a tall, broad man, and whether he meant to or not, he loomed. âIt sounds like they were really close.â
âThey were, but, you know, thereâs mourning and thereâs hanging on to the past for no good reason. Itâs not like Dorothy was . . .â He stopped and chuckled. âWell, she was a character, right? We all get like that when we pass a certain age, I guess.â
He was saying this to the house as much as to me. I wrapped my arms around myself. I really wasnât ready to leave yet. There were too many unanswered questions. They included whether Frank had gone back to looking for stuff that might have gone missing, like the wand from his auntâsaltar. Abruptly and ridiculously, I wished Alistair was still here. I wanted something to hold on to.
At the same time, I felt like I owed Frank for what Iâd just put him through. The least I could do was get this guy off his porch. There was definitely history there, and not the good kind.
âI heard Dorothyâs death was very sudden,â I said as I started down the short stone path toward the picket fence and the front gate. âThatâd be hard on anybody.â
âSure, sure. Of course.â Ellis gestured me through the gate ahead of him. âDorothy raised Frank, you know, after his mother died. His father did his best, but he was always on the road . . .â There was a sleek black BMW parked at the curb. Ellis paused at the passenger side and drummed his fingers on the roof. âI just wish he could get over feeling guilty about this house.â
âWhy guilty?â
âHe was trying hard to get Dorothy to sell right before she died.â
âOh.â I hitched up my purse strap.
âYeah. Oh.â Ellis shook his perfectly groomed head. âIâm sure Frank was really worried about all the stairs in the old place. Dorothy was sharp as a new pinânobody could say she wasnâtâbut she was eighty and her balance wasnât what it used to be. A house like this takes a lot of upkeep, too.â His fingers stopped their drumming. Instead, he brushed at some speck of dust on the glossy black paint job. âUnfortunately, people knew that they were fighting about the house. So when Dorothy did fall, some of them jumped to a set of really shameful conclusions, which hasnât made things any easier for him.â
âItâs a reality-show world.â I murmured Seanâs words. âNobody wants to believe in normal anymore.â
âExactly. The most dramatic conclusion has to be the right one.â
There was one problem. In this case, I happened to