â they had been darkened a shade â were falling out, becoming softer; they gentled her face, made her less elfin, more feminine. The stresses of marriage, and a failed marriage, had done no harm to her looks at all.
She said: âItâs good to have you back. I rely on you. Did you know that?â
I smiled. âCome off it.â
âWell itâs true! We were â sweethearts for a time, if one can still use the expression. I like â après Paul â to think I still have my friends.â
âYou must have many, Olive. Youâre better looking, more glamorous than ever.â
âOh, that. Yes. Well, I have my little side-amours. But thatâs not quite what I mean. Youâre something more .â
I sipped my drink again, wondering where this was leading.
I said: âDoes it have to be après Paul?â
âWell, what do you suggest? I can tell you heâs hell to live with.â
âYou didnât give it a very long try.â
âTwo years . It seemed a lifetime!â
She was sitting with a puckered frown, her face tightened as if to resist inquiry. I said: â These things donât always fall right the first time. Why not give it a second throw?â
She shrugged. â Did he tell you he was willing?â
âNo.â
âNo. Nor is he likely to while heâs got that bitch Marnsett in tow.â
âBut you might be willing?â
She got up. âWhat dâyou think I am, Bill â a squaw, waiting for the Big Chief to lift his finger? To hell with him and his cheap entourage!â
I looked at her standing by the window in her flimsy emerald-green frock and wondered â not altogether idly â if Paul ever bad painted her naked. She was a very attractive woman. And could be a dangerous one.
âWhat are you thinking, Bill?â
The question came sharply. âThinking? About myself.â
âThat must be quite a change.â
âDonât you believe it. Iâm constantly in my thoughts. But sometimes you intrude on them.â
âDo I?â She smiled. âTell me.â
I shook my head. âItâs time I went. Is Maud still here?â
Maud was a plump spotty woman who had let me in and handed round the drinks.
âWhy? Dâyou need a chaperon?â
âNo ⦠She put my coat away somewhere.â
âSheâs in the kitchen. Iâll call her in a moment.â
We looked at each other. Olive came across and stood on. tip-toe, hands on my shoulder. I bent and kissed her, my hands moving up and down her back. She gave her whole body to me, like something without bone. After a long time she used her hands to push me away.
âYesâ, she said, âI see what you mean. You do need a chaperon.â
I said: â Perhaps you need Paul.â
It was a queer note to part on, half sexual, half antagonistic, but that was the way it went between us.
II
I was busy for a while and did not see any of them. I was sent up to cover one of the Jarrow unemployment marches, and after that the prosperity and the quarrels of my friends did not seem quite real for a while. When I did call on Paul, Diana Marnsett was there and had just been sitting for him, so I proceeded to back out, but Paul gripped my arm.
âThereâs a drink behind you, old boy. Whatâs the worst the Press can do these days?â
âIâm an amateurâ, I said. â Refer you to the society editor.â
âIt must be healthy to be a journalistâ, Diana said, blowing smoke rings. âOne can work off oneâs lower nature in print. Sort of spiritual purge taken daily. I wishââ
âOne thingâ, Paul said. â Printerâs ink smells better than turps. My stomach is beginning to turn.â
I raised my eyebrows. It seemed as if I had come at a time when feelings were roused.
âIs this the conventional complaint of a rich man?â I