ago days in the mountains. âWhy does everyone talk about my age like itâs some kind of fucking handicap?â
âYou watch your mouth,â he says softly. Thereâs that hint of steel. âBut thatâs just what a young person would say. Maybe youâre not ready just yet.â
She blinks. The waiter brings a bottle of wine and fills her glass. What kind of date is this? âReady for what?â
âNever mind.â He shrugs and places one hand on the table, then hooks his other arm around the back of the chair. âLet us begin at the beginning, then. Tell me about you.â
âBut I donât know anything about you,â she blurts, hating the way it sounds. The wine is cool and sharp. âI donât even know why Iâm here.â
âI come from Mexico City. And now I live here. What else do you want to know?â
âDo you have any brothers? Any sisters?â Or favourite foods, a favourite colour. Suddenly everything sounds so juvenile, so strange.
âI do not,â he says. âAnd you have a brother.â
âYes,â she says, surprised. âHe lives here, in the city.â She drinks, and suddenly her glass is empty. âDid Penny tell you that?â
âI pay attention,â Israel says. His hand around the wine bottle, more wine in her glass. âItâs amazing, what you learn.â
Joe-with-an-L, she realizes suddenly, does not even know her brotherâs name.
âMediocre men do not pay attention,â he continues. âSurely youâve met enough of those, by now, to know the difference. Surely you know enough to long for something better?â
She sips her wine, uneasy. âWell isnât that a lovely thing to say.â
âThe truth is hardly ever
lovely
,
Delilah. But no doubt you know that already, as does your brother.â He shrugs. âThis is what you learn when you look deeply at the world.â
âIs this what you do, then? âLook deeply at the worldâ while weâre making you expensive coffee and shuffling papers around in the foyer?â
âYou could say that.â The waiter arrives with poppadums and chutney, places the dishes noiselessly on the table, and then retreats, once more, into shadow. Israel cracks a poppadum between his hands. âYou might call it a . . . project. Or a hobby. Most people, Delilah, pay the world no attention at all. They do not watch for opportunity. They are content to let their lives mean nothing. But you,â he points a long finger at her, âyou are different. I think so, anyway.â
This from the man who, up until two days ago, had never spoken her name.
âI think youâre crazy.â
âPeople have said that before,â he tells her, unperturbed. âBut they only say it once.â The waiter comes back and Israel orders for them both â jackfruit in masala, saag paneer. He finishes his own wine, refills it, and watches her. Lilah stares at the table and says nothing. She is mortified and furious, her fingers tight around the stem of her wine glass. Where is the sparkling conversationalist, or the girl who at the very least knows enough about decorum to watch her mouth in front of the boss?
âYou neednât worry about being proper,â
Israel says. Now her wineglass is empty again; he refills it. âWe are not at work anymore.â
âSo you read minds now?â she mutters.
âYouâd be surprised how much a face can tell, Delilah. And is this a date? I am no longer so sure.â She glances up, blushing, as he continues. âYou are so much quieter than the women I usually entertain.â
âWell, maybe youâre not entertaining me.â
He chuckles. âSo I am not interesting, then?â
âInteresting enough.â
Outright laughter this time. âDelilah, Delilah. I have never met a woman like you.â
âYou canât have met