Iâve to sit down.
After a timeâno sooner do I finish one drink than another is pressured on meâthe women come back from upstairs. âFinally!â says a voice, and the men approach with outstretched hands. I refuse the two who ask me up.
âMaybe the next one,â I says. âI need the rest.â
But the truer truth is, Iâve become interested in whatâs happening by the second fireplace; to get up now would be to miss it. It appears the woman Dmitrieff is telling something of her life. Sat on an easy chair like itâs a throne, enough space between her legs to fit a violin-cello, she has the place rapt. Frederick, Karl, and some others have made a ring round her and are fighting with each other to laugh loudest at her utterings. I strain my ear to catch a scrap.
âSo I said, I only married you to get a passport, and he said, Well, I only married you for yourâ â
She widens her eyes in mock horror and peers down at her bust, as if noticing for the first time how smooth and well-looking it is.
Now thereâs a body to contend with.
Refusing another round of dancing, I rise and make for the empty chair beside her. But Jenny, who must have been watching too, is faster. She slips through the band of men and takes Dmitrieffâs hand.
âIf none of these men are brave enough to ask you up, then you shall have to make do with me.â
Dmitrieff laughs. âOh, Mrs. Marx, I thought you would never ask!â
The two skip to the floor, and the men look after them, murmuring and scratching and wondering why all women arenât like them.
Stranded now on a bit of empty carpet, I hasten to the nearest free seat. I watch the array over the lip of my glass: Jenny and Dmitrieff, Karl and Goegg, Frederick and Janey, Tussy and Dalby, Tomanowski and Lessner, Jaclard and Eccarius, Dr. Allen and his wife, the Lormiers, and maybe ten others, swaying and reeling. The number dawns on me: thirty or more altogether. A good way to clear off those who are due a visit, but the expense must beâwell, it must be effinâ mighty.
Of course, itâs easy to spend when you havenât done a tap to have it. Three hundred and fifty pounds a year, in three installments, straight from Frederickâs accounts, thatâs what they get. Iâm sure they think itâs a secret; Iâm sure they think Iâm oblivious because Iâm unable to make out what Frederick writes in the books. But in our house, having keen ears is just as good as having snooping eyes of your own, for half of the time heâs forgetting to speak in the German; half of the time heâs shouting through the walls instead of keeping his talk to a whisper; and the other half of the time heâs at the street door barking orders to messengers and letter carriers; it was never going to be long before I caught wind. Three hundred and fifty pounds is the digit, and thatâs before the gifts and the sneaky envelopes; thatâs before he sweeps in to level the bills and promises-to-pay that they leave to pile up on their desks and dressers and drawers (and not, where they ought be, on their memory and their morals).
Careless charity is what the world would call it, if it knew. Helping those who beg and not those who really need the help. And who needs the help moreâcan someone please tell me?âthan Nimâs son? Lord knows what condition of roof that boy is living under, and yet I donât see a single tormented penny leaving the house in his direction. Would Frederick even know where to send it? One day justice will have to be done the poor lad; one day heâll have to be cut his sliver.
âYou know, thereâs a story told about them,â I says, turning to the man sat beside me.
âAbout whom, madam?â he says, his breath wafting through his moustache.
âThe Marxes.â
âAh, yes. Such a remarkable family. Stories are bound to be told about
Lena Matthews and Liz Andrews