Chloeâs face. âLittle steps. I wonât say another word.â Chloe and Nyssa worked their way through the storage room and two other rooms next to it, but they didnât find the lock that went with Chloeâs tiny key.
They were on their way downstairs shortly before suppertime when Nyssa came to a halt on the first-floor landing. âLakeâs still there,â she said as she peered at the painting of the carnival.
Chloe stepped forward to look. âThe lake hasnât changed, but heâs moved.â She pointed at the snake charmer crouched beside a cage full of snakes. âAnd so has he,â she said, moving her finger to the magician seated on a crate beside the snake charmer. âPlus the fiery balls he was juggling are gone.â
âAre you sure?â said Nyssa. âIt looks the same to me. I didnât memorize all the details.â
Chloe shook her head in exasperation. âItâs different, really! Canât you see that?â
âI donât know,â said Nyssa. âIs it possible that youâre getting the details confused with something you dreamed about?â
Chloe folded her arms across her chest. âI didnât dream it, and Iâm not making this up. I know what I saw.â
âSorry, Chloe,â Nyssa said with a shrug. âWhen you said the lake was different, thatâs all I really paid attention to. I promise Iâll check it more carefully next time. Tomorrow, okay?â
Chloe made her way to the sitting room after dinner that evening. âThis is for real,â she told herself as she closed the door firmly behind her and took a seat at the piano.
She stretched her fingers and ran through her scales first. When sheâd completed the scales, she played a passage from Debussyâs Clair de Lune from memory. She worked at the passage until she was satisfied that her wrists and fingers were limber, and then she turned to the sheet music sheâd discovered earlier inside the piano bench. Most of the music had proven to be too simple to hold her interest, but there were a few pieces that stood out from the rest. There was a Chopin nocturne and a handwritten arrangement called The Ballad of Petticoat Joe that had a number of challenging passages.
Chloe carefully arranged the pages of Petticoat Joe on the ledge in front of her. She tackled the piece in parts, playing first the right-hand part and then the left. Slowly, note by note, the piece began to take shape under her fingers. She tried playing it through with both hands, but it was a fast piece and the rhythm was tricky in a few sections. âItâll come,â she told herself. She pushed a stray curl out of her eye and started again from the top.
Lying awake in bed later that night, Chloe thought about the story her great-aunts had shared with her. âAm I obsessed too?â Chloe asked herself. Dante had wanted the whole world to recognize him; she just wanted enough confidence to appear in front of an audience without humiliating herself. That wasnât so much to ask, was it?
âYouâre a perfectionist,â her piano teacher had told her. âAiming high is good, but donât set the bar so high that you can never be satisfied with yourself.â
In the dark and silent bedroom, Chloe grimaced. She wasnât setting the bar very high this time. All she wanted was to get through the next recital without freezing up entirely. All she wanted was to survive it.
Outside on the landing, the grandfather clock struck the first hour of midnight. Chloeâs thoughts turned to the painting of the carnival that hung beside the clock. âAnd whatâs that about? she whispered. Sheâd sounded like an idiot in front of Nyssa that afternoon, but the painting had changed, no matter what her friend thought.
Chloe felt a sudden overwhelming urge to check the painting before she fell asleep. She rose from her bed and crept