Free A Scanner Darkly by Philip K. Dick

a reason he assumed a measured and uninvolved attitude. Whatever came up and whoever it was about possessed no emotional significance to him during these sessions.
    At first he had believed it to be the scramble suits that both of them wore; they could not physically sense each other. Later on he conjectured that the suits made no actual difference; it was the situation itself. Hank, for professional reasons, purposefully played down the usual warmth, the usual arousal in all directions; no anger, no love, no strong emotions of any sort would help either of them. How could intense natural involvement be of use when they were discussing crimes, serious crimes, committed by persons close to Fred and even, as in the case of Luckman and Donna, dear to him? He had to neutralize himself; they both did, him more so than Hank. They became neutral; they spoke in a neutral fashion; they looked neutral. Gradually it became easy to do so, without prearrangement.
    And then afterward all his feelings seeped back.
    Indignation at many of the events he had seen, even horror, in retrospect: shock. Great overpowering runs for which there had been no previews. With the audio always up too loud inside his head.
    But while he sat across the table from Hank he felt none of these. Theoretically, he could describe anything he hadwitnessed in an impassive way. Or hear anything from Hank.
    For example, he could offhandedly say “Donna is dying of hep and using her needle to wipe out as many of her friends as she can. Best thing here would be to pistol-whip her until she knocks it off.” His own chick … if he had observed that or knew it for a fact. Or “Donna suffered a massive vasoconstriction from a mickey-mouse LSD analogue the other day and half the blood vessels in her brain shut down.” Or “Donna is dead.” And Hank would note that down and maybe say “Who sold her the stuff and where’s it made?” or “Where’s the funeral, and we should get license numbers and names,” and he’d discuss that without feeling.
    This was Fred. But then later on Fred evolved into Bob Arctor, somewhere along the sidewalk between the Pizza Hut and the Arco gas station (regular now a dollar two cents a gallon), and the terrible colors seeped back into him whether he liked it or not.
    This change in him as Fred was an economy of the passions. Firemen and doctors and morticians did the same trip in their work. None of them could leap up and exclaim each few moments; they would first wear themselves out and be worthless and then wear out everyone else, both as technicians on the job and as humans off. An individual had just so much energy.
    Hank did not force this dispassion on him; he
allowed
him to be like this. For his own sake. Fred appreciated it.
    “What about Arctor?” Hank asked.
    In addition to everyone else, Fred in his scramble suit naturally reported on himself. If he did not, his superior— and through him the whole law-enforcement apparatus— would become aware of who Fred was, suit or not. The agency plants would report back, and very soon he as Bob Arctor, sitting in his living room smoking dope and dropping dope with the other dopers, would find he had a little three-foot-high contract man on a cart coasting after him, too. And he would not be hallucinating, as had been Jerry Fabin.
    “Arctor’s not doing anything much,” Fred said, as he always did. “Works at his nowhere Blue Chip Stamp job, drops a few tabs of death cut with meth during the day—”
    “I’m not sure.” Hank fiddled with one particular sheet of paper. “We have a tip here from an informant whose tips generally pan out that Arctor has funds above and beyond what the Blue Chip Redemption Center pays him. We called them and asked what his take-home pay is. It’s not much. And then we inquired into that, why that is, and we found he isn’t employed there full time throughout the week.”
    “No shit,” Fred said dismally, realizing that the