women, âOh, late. It depends. I get off at seven and then I have to come back at eight and donât get off till eleven.â
Léon shook his head. âEleven! No, thatâs late. Young woman mustnâtâunhealthy. And what do you do between seven and eight?â The girl didnât even trouble to smile but said in a cash voice, âWe stay in.â
Léon was all consideration. âYou stay inâhere, ugh? Upstairs, ugh?â He shook his head, said to Margaret Weyman, âItâs long hours, isnât it?â He asked the girl, âAnd then you have to go home: how long does that take you? Is it far?â
The girl cast eyes at a handsome Balkan man, as she answered carelessly, âItâs quite a way. Near the Place de la Nation. I often have to get the all-night bus.â
Mrs. Weyman, annoyed by Léonâs raw style, got up and asked her way to the ladiesâ room. Marianne sat on, ghoulishly enjoying the scene. Léon felt somewhat relieved by Margaretâs exit and made haste to bring things to a head. He finished his canvass in a flurried warm tone: âItâs a shame, a pretty girl like you. Would you like to get into the chorus? I know someone in the theater. This gentleman here knows Henri Bernstein, almost all the actors and managers of Paris. Donât you, Aristide?â
Aristide was sullen, but Marianne said instantly, âCertainly: thatâs true.â
Léon nodded his head like a good little boy, âIâll see if I can do something for you: should you like that, eh? See me after work some night and weâll fix it up. What do you say, eh?â
The girl yawned. âAll right: I donât mind.â
âWhen do you get off? Eleven tonight? Tonight?â
âLater,â said the girl.
âIâve got a car. Iâll take you in a taxi home. I donât like to thinkâpretty girl. Youâll be tired at night. Iâll get you a job, depend on me.â
The girl smiled sweetly. âWhat have I got to lose? ⦠Tonight, perhaps.â She went off lingeringly, and with some misshapen gratitude, it seemed, in her heart. Perhaps she was lonely.
But Léon triumphed and puffed out his chest. He bent to them. âEh? How was that? I donât waste time. Thatâs what I say. Do something for a poor girl and sheâs grateful. You give a poor girl two and six, and she says thank you and means it. You give a girl you pick up in the Scribe Bar a couple of hundred francs and she hardly opens her mouth. She never reckons it means more than a weekâs wages for a miner. She never thinks of the miner working for his wife and children for a week for less than she gets. Youâve got to take working girls to know real gratitude. How did I make out, eh? You think she likes me, Marianne, eh? Yes, I think she took to me.â He spied Margaret Weyman coming back and finished quickly. âShh! Donât say anything to her: sheâs a nice girl, sheâs a nice woman. You know American womenânot sophisticated, not European.â
Margaret sat down. He put his hand on her arm. âMargaretâanother bottle of wine!âMargaret, did I tell you what I did in the General Strike in 1926? I was in London, see, staying with Strindl and Company, with Taube, heâs a fool, but old Elster is his uncle and let the boy run the businessâboy, I say, fifty he is, but Elster is seventyâI was staying with Taube in Hampstead. I wake up in the morning. I eat breakfast at a quarter to eight. Thereâs no breakfast! Thereâs no gas to cook me an egg. Thereâs water running: I can wet my face. Thatâs all. There isnât even a tin of salmon in the house. And no grocery boy. All right, I think, Iâll go downtown and get a cup of coffee. I call my chauffeur Corbin. âSorry, sir: Iâve got no petrol. I canât even get down to the gas station and at the gas