colour-blind.
STYLER: I didnât know that.
FARQUHAR: It was one of the reasons I decapitated her. It was meant to be symbolic but to be honest I may have got the image confused with the wrapping-paper.
STYLER: Why did you do it?
FARQUHAR: Why did I do what?
STYLER: Her headâ¦
FARQUHAR: I wrapped it in gift-wrap.
STYLER: Why did you do that?
FARQUHAR: I had to put it in something. And now I think about it, she always used to keep gift-wrapâ¦old gift-wrap. It was one of her habits. If you gave her a present she would unwrap itâ¦sometimes it would take her all morning. She didnât want the sellotape to tear the paper. And then sheâd store the old paper in a kitchen drawer, to use it again when it was someoneâs birthday or she was invited to a dinner. And you know, they always knew. Because no matter how careful she was, the paper was always a little crumpled. You could tell at once that it was second hand. And the funny thing was, no matter what she bought you, no matter how generous she was with the present itself, there was never any pleasure in it. There was never any pleasure in getting a present from her.
He gives STYLER another drag on the cigarette. STYLER chokes.
Shall I put this out?
STYLER nods. A pause. Then FARQUHAR suddenly grabs STYLERâs head, clamping his hand over STYLERâs mouth. He twists STYLERâs head and begins to move the glowing cigarette towards STYLERâs face.
You want me to put it out?
STYLER tries to scream, tries to beg, but the clamped hand cuts off almost all the sound. At the last minute, with the cigarette an inch away, FARQUHAR changes his mind. He drops the cigarette and grinds it out. Then lets STYLER go.
STYLER: ( Gasping .) Why� Why did you do that?
FARQUHAR: I didnât. I changed my mind.
STYLER: But you were going toâ¦
FARQUHAR: Yes.
STYLER: Why?
FARQUHAR: ( A smile .) Because I can.
STYLER: You are mad. Youâre evil.
FARQUHAR: Surely one or the other.
STYLER: What?
FARQUHAR: I canât be both. Come on, Mark. Youâre disappointing me. How could you have written a book about me with such sloppy thinking? ( Pause .) I mean, think about it for a minute. If Iâm mad, then according to the Mental Health Act of 1983, I have a âpersistent disorder or disability of the mindâ. In other words, Iâm sick. I donât know what Iâm doing.
STYLER: You know what youâre doing.
FARQUHAR: So then Iâm evil â which makes you wonder why I was considered unfit to stand trial and have spent the last thirty years in a hospital for the criminally insane. Itâs a paradox, isnât it? I wonder if it isnât possible that Iâm something else, something neither mad nor evil but⦠something we donât understand.
STYLER: Why donât you just kill me? Thatâs what youâre going to do anyway. Why donât you just get it over with?
FARQUHAR: Now youâre being defeatist.
STYLER: I donât like these games.
FARQUHAR: Games? Iâm not playing games, Mark. Iâm trying to orientate myself into your scheme of things and at the same time, I hope, Iâm slowly easing you into mine. But if you think weâre playing around, if you think this is some kind of mind game, then letâs do it. ( Pause .) I killed my mother because I woke up one morning and felt like it. What did you do to yours?
STYLER: We argued, yes. But I would never have hurt her. Neverâ¦
FARQUHAR: You never thought about killing her?
STYLER: No!
FARQUHAR: You never thought about killing?
STYLER: Well of course I thought about it.
FARQUHAR: You were obsessed by it.
STYLER: Noâ¦
FARQUHAR: Two books on mass murderers and a third in the pipeline not to mention your one work of fiction in which you managed to murder your wife.
STYLER: My book had nothing to do with my wife.
FARQUHAR: You said it was based on experience.
STYLER: Loosely.
FARQUHAR: So tell me
Lisl Fair, Ismedy Prasetya
Emily Minton, Dawn Martens