protesting women with bayonets. Let them try their tricks here. Our river is as good as the Swan. Weâll show them.â
My mother interrupted them to call them to afternoon tea but my father continued to dominate the conversation until she put a hand on his arm. âGive the boy a break, Niels. Iâm sure heâll come again and thereâll be time to tell him more of your stories.â
âYes, yes, of course. I didnât mean to bore you, Harry. But you youngsters need to know what is what. Get the right ideas now and you wonât go wrong in the future.â He laughed a little self-consciously and in a rare moment I saw him not as a virile young man enduring the hardships of Iceland and windjammers but as a man approaching middle age. He had married late and was now in his late forties. Physical work had taken its toll and his arms had begun to develop an aged skinniness.The backs of his hands, once fair-skinned, had sunspots. He wanted to impress and I was grateful to Harry for his patience.
Harry assured him that he wouldnât go wrong in the future. Then, turning to me, said, âBy the way, Judith, your friend Nathan often comes around at the foundry.â
âHeâs not my friend, Harry.â
Winnie poked me in the ribs, rolled her eyes at my mother, and shook her head, denying my denial.
âStop it, Winnie,â I said, âmy mother will think â¦â
âAnd what should I think?â My mother was quick.
âResigned,â I said. âI met him at the Chew It and Spew It. I told you about the soup incident.â
âOh, that.â She dismissed any suspicion she might have had and I threw a warning look at Winnie, who grinned naughtily at me and said, âHer hero, Mrs Larsen.â
I was growing tired of Winnie aligning herself with others to embarrass me but I was curious and asked Harry, âWhy does Nathan come around the foundry?â
âHe talks to us when he can and gives us leaflets on workersâ rights and about the Free Speech meetings. The boss always shouts that heâll have him for trespass but canât because he joins us when we have a smoke-o and thatâs usually off the premises.â
My father looked thoughtful. âThis Nathanâs a smallish chap with a quiet manner and spectacles? A communist, I think. Theyâre not a bad lot. Just too fixed in their ideas.â
âAnd that coming from you, Niels?â My mother laughed.
âWell,â he said, caught off-guard, âwell, there are lots of groups in the labour movement.â
âAll with fixed ideas.â She was caustic. âAll disagreeing with each other.â
She got up and cleared the table. âNow, for heavenâs sake, letâs have a rest from politics.
âWe have a piano, Harry. Perhaps youâd like to give us a tune.â
We had been sitting in the galley but now my mother led the way into a larger cabin converted to a sort of sitting room. Harry approached the piano as if it were some religious icon. His face glowed. He ran his fingers lightly and lovingly over the woodwork. âMay I?â he asked, but before anyone could reply he lifted the lid and struck a few notes. âItâs well tuned,â he said, and, comfortably confident, pulled out the piano stool and sat down.
My mother hovered beside him. âDo you need some music?â
âCanât read it,â he laughed. âNever learned. But here is,â and he launched into âIf you knew Susie like I know Susie, Oh, oh, oh what a girlâ.
Winnie had said that he had rhythm in his bones and she was right. In the zest and joy of his playing I felt the real Harry was revealed and wondered if he was the same man who had listened so earnestly to my father. Now he was playing âWhen my Sugar walks down the streetâ and this morphed into âNothing could be finer than to be in Carolinaâ. Finally he