Free Jacquie D'Alessandro by Who Will Take This Man

appeared about to comment, he said, “I am going to a warehouse . To work . Not tohave my portrait painted. This is the best you’ll get from me. It’s this or I wear nothing at all.”
    She appeared startled, then narrowed her eyes. “You wouldn’t dare.”
    He moved closer to her, surprising him when she stood her ground, but he was cheered by her sharp intake of breath. “Did you know that temperatures in Egypt, in Syria, can reach levels where you actually can see the heat radiating off the ground? I am quite accustomed to wearing a minimum of clothing. Or none at all. So daring me would not be wise, Miss Chilton-Grizedale.”
    A blush suffused her cheeks, and her lips compressed into a flat line of disapproval. “If you think to shock me with such words, Lord Greybourne, you are doomed to failure. If you wish to shame yourself, your fiancée, and your family, I cannot stop you. I can only hope you will act in a decorous manner.”
    He heaved out a dramatic sigh. “I suppose that means I shall not get to disrobe in the foyer. Pity.” Extending his elbow, he said, “Shall we?”
    He looked into her eyes, noting their extraordinary clear Aegean-blue color. They sparkled with determination and stubbornness, along with something else, not so easily defined. Unless he was mistaken, which he rarely was in such assessments, a hint of secrets simmered in Miss Chilton-Grizedale’s eyes as well, piquing his curiosity and interest.
    That, along with her penchant for loading her reticule with stones, was casting her in the light of an intriguing puzzle.
    And he harbored an incredible weakness for puzzles.

Four
    Meredith sat upon the luxurious gray velvet squabs of Lord Greybourne’s coach, and studied her traveling companion. At first she’d done so covertly, from the corner of her eye as she’d feigned looking out the window at the shops and people lining Oxford Street. However, his attention was so wrapped up in studying the contents of the worn leather journal setting upon his lap, she soon abandoned the ruse and simply looked at him with frank curiosity.
    The man sitting across from her was the complete antithesis of the boy in the painting hanging in the drawing room at his father’s London townhouse. His skin was not pale, but a warm, golden brown that bespoke of time spent in the sun. Golden streaks highlighted his thick, wavy dark brown hair that was once again haphazardly coiffed, as if his fingers had tunneled through the strands. Indeed, even as the thought crossed her mind, he lifted one hand and raked it through his hair.
    Her gaze wandered slowly downward. Nothing about the adult Lord Greybourne could be described as soft or pudgy. He looked lean and hard and thoroughly masculine. His midnight-blue cutaway jacket, in spite of its numerous wrinkles, hugged his broad shoulders, and the fawn breeches he’d changed into emphasized his muscular legs in a way that, if she were the sort of woman to do so, might induce her to heave a purely feminine sigh.
    Fortunately, she was not at all the sort of woman to heave feminine sighs.
    In further contrast to his youthful self, although his clothing was finely made of quality cloth, Lord Greybourne projected an undone appearance, no doubt the result of his askew cravat and those thick strands of hair falling over his forehead, in a fashion which, if she were the sort of woman to be tempted, might tempt her to reach out and brush those silky strands back into place.
    Fortunately, she was not at all the sort of woman to be tempted.
    He looked up and their eyes met, his surrounded by round, wire-framed spectacles. In the painting, Lord Greybourne’s eyes had appeared to be a dull, flat brown. The artist had utterly failed to capture the intelligence and compelling intensity in those eyes. And there could be no denying that Lord Greybourne’s countenance was no longer that of a youth. All the softness had been replaced by lean angles, a firm, square jaw, and high