Free The Crown of Dalemark by Diana Wynne Jones Page A

and then pushing between the easels and the busy students in the smaller room in order to look at the portraits they were copying. The biggest was of the Duke of Kernsburgh, posed haughtily looking over the shoulder of a trailing crimson cape, in front of a new castle on a hill.
    â€œAmil the Great’s chief minister,” Dad told her when she asked that first evening, “and one of the most ruthless men in history.”
    Maewen could see the Duke was ruthless—it was in every fierce, clear line of him—but there was something familiar and almost friendly about him, too. She almost felt as if she knew him. She kept trying to decide why. He looks as if he was very nice to his friends, she decided. But if you weren’t one of his friends, you had to watch it. He’d put you to death without turning a hair.
    The Duke was flanked by two dismal portraits of the Adon, both much, much older, and beyond that was an even older portrait of Enblith the Fair, who was supposed to have been the most beautiful woman ever, daughter of the Undying and a famous queen. The portrait was cracked, but even so Maewen could only suppose that ideas of beauty had changed. Enblith reminded her very strongly of Aunt Liss—and no one had ever called Aunt Liss a beauty, even when she was young. I bet she managed people into thinking she was lovely, Maewen thought. That was all women were supposed to be in those days. And she pushed between easels to the portrait that truly fascinated her.
    It was called Unknown Minstrel Boy , and she kept wishing she knew more about him. He was probably about her own age, and he had red hair—which Maewen had always secretly wished for herself—with the paleness that always goes with such hair. He was rather richly dressed in dark maroon satin, so either he was a very good minstrel or a young aristocrat posing as one. Good minstrel, Maewen decided. It was in the way his pained eyes met yours and yet looked way, way beyond, full of thoughts and knowledge and strong sadness. Someone’s let him down badly, Maewen thought when she first met those eyes. She wished she knew who had and why. And kept going back to look.
    She wanted so badly to know about that boy that in the end she joined the afternoon guided tour that went round the pictures. The advantage was that the students had gone home by then. The disadvantage was that this tour was always taken by Wend. It took Maewen several days to muster courage to go with it. When she did, the mere sight of Wend started her fizzing with embarrassment again. Wend saw her and gave her a polite little bow and a restrained smile. Maewen felt her face flooding with red. It was the awful way Wend never seemed to show any emotion but politeness. But she clenched her teeth and followed the other tourists.
    The picture of the minstrel boy was famous for several reasons, she discovered. Nobody had ever been able to find out who the boy was, although he was important enough to have been painted by the best artist of the time. And he must have been important to Amil the Great, too, because Amil made a special bequest of the picture to his grandson, Amil II. Books had been written about the picture. Some theorists suspected the boy was Amil himself, before he won the throne. Amil the Great had also carefully preserved the cwidder that had been painted with the boy. It was obviously old, even then. The minstrel boy had his hand dreamily wrapped across the cwidder, half hiding the strange old lettering inlaid on the front. And the actual selfsame cwidder was in a glass case just beside the portrait, very fragile and cracked-looking, despite careful restoration.
    â€œWell, fancy that!” said everyone, raising cameras and jostling for the best shot of it.
    After that Wend took the party into the ballroom, where he told them that the paintings on the wall and the ceiling had been done in the time of Amil II. Nobody knew what Amil the Great really looked