question blew away Charlieâs thoughts about turning back.
âWho said I donât like him?â he retorted gruffly. âThatâs a dumb thing to say.â
âNo, it isnât. You always look angry when he talks. And when he plays his guitar, too.â
âI donât!â
âYou do. You donât say anything to him either. Iâd talk to my folks all day long if they were here instead of in Africa.â
She would, too, Charlie thought. She never knew when to be quiet.
âIs it because he was in prison? I like Uncle John. Heâs fun. Like a big kid.â
âYeah,â Charlie muttered, âlike a big kid.â To his relief, a familiar mailbox appeared on the edge of the highway ahead of them. âThere it is,â he pointed. âThatâs where we turn in. Letâs eat the sandwiches first, okay?â
They settled in the grass next to the mailbox and opened the brown paper bag filled with peanut-butter sandwiches and pears. Rachel didnât say anything more about his father while they ate, or later while they walked through the woods, but she looked as if she were thinking hard. Charlie supposed she was lining up more nosy questions.
âThere it is,â he said loudly as they stepped out into the sunlit clearing. âSpooky, huh?â
âIt looks haunted,â Rachel commented. âIt looks as if nobody could possibly be living there. I canât see why you even bothered to knock on the door that first time. I wouldnât have.â
Charlie considered the dusty windows, the crooked shutters, the tangle of garden. She was right. What had made him approach the decaying old place? He didnât remember that it had looked so uncared for that first time.
âI guess I just thought Iâd give it a try,â he said. âOr maybe the ghost wanted me to come in. Maybe she wanted to talk to somebody from Pike River.â
Rachel nodded as if this were a reasonable explanation. She pushed open the gate, and they made their way through the garden and up the steps to the front door.
Charlie lifted the bulldog knocker and let it drop. Then he put a hand on the doorknob. âIf itâs locked, we leave,â he reminded her. âNo breaking in.â
âTurn it,â Rachel urged. âWhat are you waiting for?â
When the door swung open at his touch, Charlie didnât know whether he was glad or sorry. He led the way into the entrance hall and looked around, hoping the phantom wouldnât make him search for her again, room by room.
Rachel gripped his arm and pointed toward the back of the house. âThe sun porch,â she mouthed. âLetâs go.â She was very pale in the dim light of the hall.
A floorboard creaked sharply over their heads. Charlie whirled to face the stairs. âIâve never heard that before,â he whispered. âI bet sheâs up there.â
âThen letâs go up. We want to find her, donât we?â
They climbed the stairs side by side, stopping at each step to listen. The floorboards creaked again. Then Charlie heard a faint hummingâbreathless, delicate, and as frightening as any sound would be in a supposedly deserted house.
Thereâs nothing to be scared of , he told himself wryly. A ghost is humming, thatâs all . He shot a sideways glance at Rachel.
âI hear it,â she whispered, without taking her eyes away from the top of the stairs. âItâs weirdâlike an echo from someplace else.â
That was exactly what the humming sounded like. Some other place, or some other time , Charlie thought. The sound made him feel as if he were drifting backward through endless years.
They reached the upstairs hallway and faced a row of doors, all of them closed but one. That one was open just a crack; the opening was marked by a narrow band of sunlight across the hall floor.
Rachel knelt at the crack to peer inside, and
Bret Witter, Luis Carlos Montalván