Free Mosquito by Roma Tearne

was tied up and it swung to and fro as she walked. Where is she going? Vikram wondered curiously.
    The road went nowhere in particular. In fact, it was not possible to reach the beach this way without scrambling over the giant cacti. Then the road curved, and suddenly it was possible to see the sea. The beach was completely empty and scorched. Just before the road came to an end, there appeared a long, low house, surrounded by a flower-laden wall and flanked by two stone lions. The top of the wall was covered in barbed wire. Vikram remembered now. It was the house where the UK-returned writer lived. He had seen the man once when he had come to the school. The teachers had shaken their heads, saying he was a Singhalese who was pro the wretched Tamils. What kind of a Singhalese was he? they asked. Still, they had said, he was famous. Misguided, but famous. So they had invited him because of that.
    A large jackfruit tree overhung Theo Samarajeeva’s garden wall. Its leaves were thick and succulent, and the girl, stopping outside the gate, began to draw in her notebook. She had no idea she was being followed. Nor did she seem to notice there was no shade. Nulani Mendis sat on the withered grass verge absorbed in her drawing, as the low hum of mosquitoes and the drowsy buzz of other, more benign, insects slowed to a halt in the baking air. Across the sun-drenched garden Vikram could just make out the writer, in his pale linen trousers and his white shirt, working at a table on the veranda. The veranda had been bleached white by the sun and appeared dusty in the dazzling light. Then the manservant came out to fetch the girl in for lunch, and shut the gate. And that was all Vikram saw of any of them that day.
    Nulani had almost finished the portrait. In a week she would be ready to show both Theo and Sugi.
    ‘I will cook kiribath , some milk rice,’ Sugi said. ‘And buy the best fish.’
    ‘I shall decide where it must be hung!’ said Theo.
    An air of gaiety descended. Sugi replaced the lanterns in the trees. And Theo declared the day of the unveiling a holiday from his writing. His work was progressing slowly. In October the film of his second book would be out. He would have to go to London for the premiere.
    ‘For how long will you be gone?’ asked Nulani, her eyes suddenly anxious. ‘Will they let you come back?’
    Her hair was coiled against the back of her neck and a frangipani blossom quivered just above her ear. Theo watched it shake as she moved her head, wondering when it would fall. Once, he nearly put his hand out to catch it. How could he explain to her that no one could stop him coming home? When had he started to call this place home again?
    His agent had rung him complaining. It was impossible to get a call through to him, did he know that? The lines were always down. How could he live in a place with no access to the outside world, where the lines were always down? The agent hoped he was working. Through the crackle on the line the agent sounded like a peevish nanny. The summer in London, he told Theo, was disappointing. Wet, cold and miserable. The only consolation, he supposed, was that the telephones worked!
    Because the curfew was not in operation just now Theo walked openly on the beach. The sand, ivory and unblemished, seemed to stretch for ever, smooth and interrupted only by his footsteps. One evening Nulani went with him. She had told her mother she was working late on the painting. They walked the wide sweep of beach without seeing anyone, with only the slightbreeze and the waves for company. It felt as though they had walked this same beach for an eternity. She walked close to him, like a child, her hand brushing against his arm. He felt her skin, warm against him. He had an urge to take her hand and cradle it in his two hands. He knew she was worrying and he wanted to tell her to stop. But he felt helplessly that he had no right to intrude.
    ‘I feel as if I have known you for ever,’ the girl