breakthrough novel, sweetheart. Diurno loves it. How soon can you get me a one-pager I can get a contract on?â
Jessicaâs enthusiasm for the literary life, never high, had suffered from the events of recent days. It is a sobering experience to stand at oneâs fatherâs bedside in intensive care and see the digital monitoring of his vital signs wink in green and red while fluid drips into his veins from a plastic bag. How evanescent everything seemed.
âThey like it?â
âDiurno likes it. Meaning he is eager to sign a contract.â
âHow did you describe it?â
âI? You did. The saga of a Midwestern Catholic family, from order to chaos, from rules to what the hell, disintegration. But with tears.â
âThat was my description?â
âI paraphrase, of course. You deal with me; I deal with publishers. I know Diurnoâs mind, such as it is. The man is a cash register. I doubt that he has read half a dozen books in his lifetime. He knew a man who turned down Gone With The Wind when the novel was only the whisper of a breeze in the mimosa. For him novels are one page long.â
âSo what do you need?â
âDrama. Gut-wrenching episodes. A dying fall.â
She thought of her father. Suddenly her great idea seemed an exploitation of her family, of real tragedy. Raymond was at the heart of it, but how could she make Thunder or Diurno understand what it meant for a man to abandon the priesthood, destroy his parentsâ pride, flee to California, and join the fruits and nuts? She promised to send the one page.
âFax it. When can I expect it?â
âGive me a deadline.â
âWhat time is it there, nine oâclock? How does noon sound?â
âYouâre kidding.â
âI have never been more serious in my life. I nurtured you, sweetheart. I loved your first two novels, you and I and four thousand buyers. Plus two hundred reviewers, which is the important thing. They were the prelude; this novel is the main act. Think big. Noon, okay?â
âIâll try.â
âSucceed.â
He hung up. Jessica had difficulty thinking of what she wrote as a commodity, but of course that is what it was for Thunder and even more for the cash register Diurno. They thought in terms of dust-jacket hype. Had Thunder actually read her novels? His only suggestion was to soften the religious motif. âThis is a neopagan age, sweetheart, like it or not. I speak as a lapsed Catholic.â
âI didnât know that.â
âI donât mention it in Whoâs Who . Whatâs the point? Nobody is what he was.â
âI am.â
âSweetheart, that is your charm, your strength.â
âThis novel could be pretty religious.â
âIâm counting on that,â Thunder said with breezy inconsistency. âI want you to put the fear of God into us backsliders.â
She called Sorensenâs and said she wanted to take the morning off. The reaction made her think she could have asked for a week and gotten it. Then she sat at her computer and stared at the screen, but all she could see was the monitor above her fatherâs bed in intensive care.
The phone rang. It was her colleague Walter. âIs anything wrong?â
âNo.â
âI heard you had called in sick.â
âMy father is in the hospital.â
âIs there anything I can do?â
Dear Walterâgifted, dumb, unimaginative Walterâwho tried desperately to understand that her writing was more important to her than her work in the lab. For Walter Sorensenâs lab was the world; the slides he worked on rerum natura. Make-believe was a distant childhood memory. Their work determined what surgeons would do, what physicians would tell their patients, whether flesh and blood people would live or die. Walter never forgot that.
âHeâs better now. Theyâve moved him into a room out of intensive