enter the auditorium to watch a film about a bunch of teenagers and a dead body and codes of teenage silence. It was the end of the previous show and the doors flung open and hundreds of people were pouring out towards the exits. Suddenly that face. It was one anonymous face in the crowd that tripped the switch in the back of my head. I froze and the face became magnified. It expanded in size until it was five feet tall and disembodied and floating in the darkness of the open doors. I guess he froze too. He was a pale gray color with fastidiously combed hair plastered down around the skull. Thin lips, bloodless and tight. His eyes were colorless and they widened for a moment. We both stood there trying to uncoil each otherâs private histories and solve the dislocation of familiarity. I had been drugged, tossed out a second story window, strangled, smacked in the head with a slab of marble, almost stabbed four times, punched in the face at least seventeen times, beat about my body too many times to recount, almost completely suffocated, and woken up once tied to a hotel bed with my head over the side all the blood rushed down into it making it feel like it was going to explode, all this before I turned fifteen. I chalked it up to adventure or the risks of being a kid prostitute in new york city. At that point in my life dying didnât mean anything to me other than a big drag. I had mixed feelings about death. When I was trying to get enough money to eat or find a place to sleep for the night, death actually seemed attractive, an alternative. I would go without changing my clothes or bathing for months at a time. I could see my reflection in the legs of my pants if I bent close to them. Periodically if I had a surplus of money from spreading my legs in seven dollar hotels on eighth avenue I would walk Into the Port Authority bus terminal and look at all the various names of towns painted on the glass windows of ticket booths. Iâd choose one that suggested bodies of water and then buy a ticket, get on the bus and ride It for as long as It took till I spotted a lake or pond In the countryside. Iâd then ask the bus driver to let me off, usually having to argue with him because it wasnât a scheduled stop. After the bus continued on its way I would walk across the field and into the water until I was up to my neck. I never bothered to take off my shoes or my clothes. I would float around for hours and then hike back to the road and hitch a ride to a bus-stop or all the way back into the city.
That face. When I noticed his suit and his hands, palms back and manicured nails, I remembered. Maybe it was the quality of light or lack of it in the lobby as the door swung open and people were exiting before the end of the film. Maybe it was the color of his flesh, the look of no oxygen, the look of anticipation or fear, the complexion of anticipation. I remember that night fifteen years earlier. I had spent the later part of the afternoon paddling around this small pond, pushing my face under water looking for signs of life. It was rapidly turning to dusk and I was wet and feeling cold. The town was too small to offer much evening traffic so it was hard to get a ride. I didnât really know where I was. I was gray inside my head and wishing that killing myself was an effortless act.
Those eyes, that face gray and floating disembodied in the dark of the open window. A small beat-up red pick-up truck coasted to a stop along the side of the road. He was waving me into the truck. I remember thinking his skin was fake, like a semi-translucent latex. I asked him how far he was going. Oh, a ways. Thin tight voice layered with a friendliness I couldnât hook into. We drove for a while in silence and I looked out the side window at all the illuminated houses and occasional glimpses of people in driveways, interacting with each other. A stray dog running along the highway in a small panic. He said he worked for a bank
Dean Wesley Smith, Kristine Kathryn Rusch
Martin A. Lee, Bruce Shlain