had been murdered and either a newly dead man or a long-ago ghost had called out to her by name. She felt connected to this case, compelled to do something to help solve it, but Ethan had sent her home instead, leading to her current restless frustration.
Ethan.
She really didnât want to think about Ethan, which was pretty much impossible, seeing as she was the one who had asked him to come back and look into this case. Because while she wasnât afraid of graveyardsâor even the dead, when it came to thatâshe was afraid. Something very bad was on the horizon.
No, very bad things had already happened!
And she knew he would help with the situation, because she could tell him things, like the fact that sheâd heard a dead man call her name, things she couldnât possibly tell the police.
She just wished heâd turned stodgy and perhaps developed a giant beer belly.
No, she didnât wish that, she just wished...
Wished she didnât still find him so incredibly compelling.
She told herself to forget about Ethan for now.
Which was next to impossible when the rest of the day seemed to stretch out boringly forever, even if it was actually more than half over and so far talking to him had been the best thing in it.
She couldnât help marveling at the speed with which heâd arrived; sheâd talked to Clara last night, telling her what had happened, but she hadnât reached Krewe headquarters until this morning.
She would definitely go crazy if she kept thinking about Ethanâand the dead.
She had to get out.
She hadnât lied; sheâd come home just as sheâd promised. Ethan couldnât possibly object if she hung out with other people and made sure she was never alone, could he? She quickly texted Brad.
Going crazy. Need any help on set? she wrote.
A few minutes later, he texted her back.
Always. Left the field to the cops. Filming at Dadâs office downtownâhe donated the space. Come on in. Help with mikes and lighting.
She quickly responded On my way ,then grabbed her bag and keys, and headed out. It didnât take her more than a few minutes to reach the downtown office building Bradâs father owned. The security guard downstairs, whom sheâd known since she was a child, greeted her by name. He immediately directed her to the second floor, where Brad was filming in the back conference room.
She waited outside in the quiet hallway before she heard Brad call âCut!â Then she knocked and went in. There was no crowd of extras on hand for this scene, just Jennie with her makeup box, Mike Thornton with his camera, Luke Mayfield handling sound, Barry Seymour for lighting and George Gonzales keeping an eye on continuity. The only two actors in the room were those playing the oil-company exec and the senator, Harry Grayson and Blane Pica. And Jimmy Smith was standing on the sidelines, observing.
Despite the unexpected interruption in his planned shooting schedule, Brad was going with the flow. He beckoned her over as she entered. She waved to the others and walked toward him. Brad immediately invited her to watch the footage heâd just shot.
She looked into the camera as he replayed the latest scene. Afterward she looked over at Harry and Blane, and smiled. âGreat stuff. Do you two sound scuzzy or what?â
âThanks,â Blane said, accepting the compliment with a pleased nod. He was from New York, and had been a couple of years ahead of Charlie and Brad at Tulane. He was heavyset, though a lot of his weight was muscle, and he was slightly balding, making him a perfect movie villain. Harry, on the other hand, was older, a seasoned actor Brad had met when working on a music video in New Orleans for a major producer. He was thin and wiry, with a sharp face that usually wore a pleasant smile unless the part called for something else. When he chose to, he could do grim and threatening very well.
The scene Brad had just
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