peeled back, inward. A crack ran three feet up into the masonry.
âBack!â Sartaj shouted. He was running forward, revolver held in front of him. âGet back, get back.â Then Bashir Ali was gone, and Sartaj was leaning against one side of the doorway, and Katekar on the other. An icy wind came out and Sartaj felt it drying the sweat on his face and his forearms. Suddenly, for a moment, he envied Gaitonde all his air-conditioners, the frigid climate control won by his audacity. And for a moment, rising from somewhere deep in his hips, unbidden and nauseating, like a buoyant dribble of bile, was a tiny bubble of admiration. He took a deep breath. âDo you think the building will hold?â he said.
Katekar nodded. He was looking in, through the door, and his face was dark with rage. Sartaj touched the tip of his tongue to his upper lip, felt the dryness, and then they went in. Sartaj went ahead, and at the first door inside Katekar went by him. Behind them followed the rustling of the others. Sartaj was trying to hear above the thunderous unclenching of his heart. He had done entries like this before, and it never got better. Itwas very cold inside the building, and the light was low and luxurious. There was carpet under their feet. There were four square rooms, all white, all empty. And at the exact centre of the building was a very steep, almost vertical, metal staircase going downward through the floor. Sartaj nodded at Katekar, and then followed him down. The metal door at the bottom opened easily, but it was very heavy, and when Katekar finally had it back Sartaj saw that it was as thick as a hatch to a bank vault. Inside it was dark. Sartaj was shivering uncontrollably. He moved past Katekar, and now he saw a bluish light on the left. Katekar slid past his shoulders and went out wide, and then they shuffled forward, weapons held rigidly before them. Another step and now in the new angle Sartaj saw a figure, shoulders, in front of a bank of haze-filled TV monitors, a brown hand near the controls on a black panel.
âGaitonde!â Sartaj hadnât meant to shout â a gentle admonitory assertion was the preferred tone â and now he squeezed his voice down. âGaitonde, put your hands up very slowly.â There was no movement from the figure in the darkness. Sartaj tightened his finger painfully on his trigger, and fought the urge to fire, and fire again. âGaitonde. Gaitonde?â
From Sartajâs right, where Katekar was, came a very small click, and even as Sartaj turned his head the room was flooded with white neon radiance, generous and encompassing and clean. And in the universal illumination Gaitonde sat revealed, a black pistol in his left hand, and half his head gone.
Gaitondeâs right eye bulged with a bloodshot and manic intensity. Sartaj could see the fragile tracery of pink lines, the hard black of the pupil, the shining seep of fluid from the inside corner, which despite himself he thought of as a tear. But it was only the body reacting to the gigantic blow which had sheared off everything from the chin up on the other side, slicing from the left nostril up into the forehead and spraying a creamy mess on to the white ceiling. A tooth winked pearl-like, whole and undamaged, from the raw red where Gaitondeâs tight-lipped grimace stopped abruptly.
âSir,â Katekar said. Sartaj jerked, and followed the rigidly pointing barrel of Katekarâs revolver to a doorway in the white wall. Just where the boundary lay between sharp brightness and darkness, in that shadow, were two small bare feet, toes pointing up at the ceiling. Sartaj stepped up, and he couldnât see the body clearly, just the cuffs of white pants, but he knew somehow, from the indistinct spread of the hips, that it was a woman. Again Katekar found a switch, and there she was, yes, a woman,wearing tight white pants, slung low â Sartaj knew they were called hipsters. She wore a
Stefan Zweig, Wes Anderson