a tomboy forever, probably always would be. Still, the idea that this man might have classified her after a few hoursâ acquaintance set her temper alight. She could get her Irish up as well as Gran could. But that wouldnât help the situation. Fighting for control, she pressed down so hard with her hands, she practically fused them to her hips.
âWhat is it youâve got on your mind?â she asked evenly.
Olivia took Uncle Brenâs arm and moved him closer, putting the four of them almost shoulder-to-shoulder in a small circle.
Kerry felt like the runt of the litter.
âMatthewââ Olivia began.
âMom, let me take care of this,â he said, his gaze locked on Uncle Bren. âMacBride, itâs bad enough youâve thrown innocent peopleâs hard-earned money away on a run-down pier, a scattering of ramshackle booths and a handful of amusement rides all battered and rusted beyond repair. And now youâre too busyââ his gaze shot to Olivia, then back ââeven to lend a hand with this decrepit amusement park?â
Kerry looked at him in surprise. Mattâs argument hadnât presented anything new, but this last angle certainly had. Could it be Uncle Brenâs friendship with his mother that had him so upset now?
His voice had risen, and his deep, rumbling baritone projected easily into the room. It must come in handy in court. Just as Kerry had feared, the residents started to gather around.
âItâs not decrepit.â Indignation filled Uncle Brenâs tone. âWhy, if youâd only come take a stroll around the park like we askedââ
âTo see what? That the buildings look about to collapse, and the pierâs likely to give way any minute?â
Kerry flushed. For just an instant, she felt light-headed enough to give way herself. Even from a distance yesterday, she had noticed how run-down the old park looked. Matt had a point, she had to admit. The investors could be in over their heads. But she couldnât let him browbeat her family. âHow do you know what the park looks like, if you havenât seen it up close?â she demanded.
âI donât need toââ
âExcuse me.â A slight, deeply tanned man had stepped closer to their group. âThe pier is steady as they make them.â
Matt frowned. âAnd you know this, how?â
âA good eyeââ
Matt laughed.
ââand forty-eight years in structural engineering.â
Kerry turned to him in relief. âThank you, Mrâ¦.â
âCall me Carl.â
âWhat about the buildings?â Obviously, Matt wasnât going to let this go. âYou canât tell me theyâre not in bad shape.â
Another man stepped forward, as tall and broad as Carl was slight. âWeather damage, thatâs all. Some wear and tear, but nothing a handful of two-by-fours and a coat of paint wonât fix.â
âAnd you knowââ Matt began.
âFifty-three years in construction,â the man interrupted, a smug smile creasing his broad face. âAnd you can call me Mr. Delmont, sonnyâ if you have to call me anything at all.â
Kerry choked back a laugh. The smooth-talking lawyer had been outtalkedâand outfoxedâby a couple of small-town seniors. Evidently, the knowledge didnât sit too well with him. A slow burn of color crept across his cheekbones.
Her hand suddenly itched for a pencil and her sketchpad.
Uncle Bren gave her a tentative grin, which brought her back from her artistic fantasies immediately. If heâd knownall these positive things about the park, why hadnât he said something before Matt threatened him with jail?
âAll right,â Matt said in a tone so unexpectedly soft, a few of the residents moved closer to hear. âIf the propertyâs not totally derelict, that ought to make it easier to sell.â
His mother touched his
Eric Flint, Charles E. Gannon