away, I wanted to lunge at her, but I didn’t dare. Something might shake loose in my brain if I did. The spiral flashed through the wiry fringe of my eyebrows as she moved it closer. I closed my eyes.
Something stung my forehead icily, like ether, and I instantly felt that I was moving forward with an easy rise and fall, as if I were riding a very gentle roller-coaster. There was a low pulsing roar in my ears.
I snapped my eyes open. The illusion vanished. I was standing stock still in the elevator and the only sounds were the continuing hubbub that had succeeded the sirens. My conductress was smiling at me, encouragingly.
I closed my eyes again. Instantly I was surging forward through the dark on the gentle roller-coaster and the hubbub was an almost musical roar that rose and fell. Smoky lights showed ahead. I glided through a cobblestoned alleyway where cloaked and broad-hatted bravoes with rapiers swinging at their sides turned their heads to stare at me knowingly, while women in gaudy dresses that swept the dirt leered in a way that was half inviting, half contemptuous.
Darkness swallowed them. An iron gate clanged behind me. Bluer, cleaner lights sprang up. I passed a field studded with tall silver ships. Tall, slender-limbed men and women in blue and silver smocks broke off their tasks or games to watch me—evenly but a little sadly, I thought. They drifted out of sight behind me and another gate clanged. For a moment the pulsing sound shaped itself into words: “There’s a road to travel. It’s a road that’s wide . . .”
I opened my eyes again. I was back in the stalled elevator, hearing the muted hubbub, facing my smiling conductress. It was very strange—an illusion that could be turned on or off by lowering or raising the eyelids. I remembered fleetingly that the brain’s alpha rhythm, which may be the rhythm of its scanning pattern idling, vanishes when you open your eyes and I wondered if the rollercoaster was the alpha rhythm.
When I closed my eyes this time I plunged deeper into the illusion. I burst through many scenes: a street of flashing swords, the central aisle of a dark cavernous factory filled with unknown untended machines, a Chinese pavilion, a Harlem nightclub, a square filled with brightly-painted statues and noisy white-togaed men, a humped road across which a ragged muddy-footed throng fled in terror from a porticoed temple which showed only as wide bars of light rising in a mist from behind a low hill.
And always the half-music pulsed without cease. From time to time I heard the “Road to Travel” song repeated with two endings, now one, now another: “It leads around the cosmos to the other side,” and “It leads to insanity or suicide.”
I could have whichever ending I chose, it seemed to me—I needed only to will it.
And then it burst on me that I could go wherever I wanted, see whatever I wanted, just by willing it. I was traveling along that dark mysterious avenue, swaying and undulating in every dimension of freedom, that leads to every hidden vista of the unconscious mind, to any and every spot in space and time—the avenue of the adventurer freed from all limitations.
I grudgingly opened my eyes again to the stalled elevator. “This is the test?” I asked my conductress quickly. She nodded, watching me speculatively, no longer smiling. I dove eagerly back into the darkness.
In the exultation of my newly realized power I skimmed a universe of sensation, darting like a bird or bee from scene to scene: a battle, a banquet, a pyramid a-building, a tatter-sailed ship in a storm, beasts of all descriptions, a torture chamber, a death ward, a dance, an orgy, a leprosary, a satellite launching, a stop at a dead star between galaxies, a newly-created android rising from a silver vat, a witch-buming, a cave birth, a crucifiixon . . .
Suddenly I was afraid. I had gone so far, seen so much, so many gates had clanged behind me, and there was no sign of my free flight