says we can use a room over there for our painting endeavors. I donât know about you, but I intend to paint a masterpiece .â
Chuckling at his absurdity, I joined him downstairs.
âItâs this room here,â Sir Marcus guided.
Off to the left of the study, this room required a key that Sir Marcus promptly pulled out of his pocket.
âWhat of the other locked rooms?â I murmured, looking around for a looming Roderick.
Tapping his nose, Sir Marcus spurred me into the room.
âNow Daphne, thatâs our code for silenceâthe nose tap. We may be overheard. This place has ears.â
I felt it, too. Mentioning Bellaâs ongoing bathroom antics and Angelaâs dislike of her, I inspected the array of painterâs tools. The room, though small, possessed good light and lay relatively spare but for three easels, brushes, palettes, wiping cloths, little paint tins, two lamps, and a lonely paint-blotted stool.
âYou can have the stool,â Sir Marcus said, ever the gracious gentleman. âAnd hereâs your cape. Sorry, could find no feathery cap for you. Youâll just have to imagine one.â
I laughed. He truly was a ridiculous man. âKate said we can use this room exclusively?â
âYes. Katie girl understands the need for secrecy when we are to embark upon something great. But for us, painting is purely a façade.â
He began setting up the canvases while I asked how Kate fared.
âSaw her looking at breakfast. She ate nothing and looks positively dreadful. No sign of Lissot. Or Rod. Perhaps theyâve all gone fishing?â
Glancing hopefully out of the window, a boyish glumness appeared in the downturn of his lips for if they had gone fishing, they had not invited him.
I seriously doubted a fishing adventure accounted for the absences. âJosh Lissot is maintaining his distance considering he has the strongest motivation for murder; Kate, too, realizes this; she is afraid, afraid of the future and for Josh, and I think she knows something or suspects something. Whether or not she is party to her husbandâs death remains to be seen. As for Lord Roderick, he is not entirely exempt,since he inherits what is left. He was the preserver of the family fortune before his madcap brother disintegrated the last of it, sending them all to a speedy ruin.â
âMy, my, a fine hypothesis.â Whistling, Sir Marcus waved his white-tipped paintbrush over two canvases. âUndercoat. Once itâs dried, you may begin.â
âWhat are you doing and why, may I ask, is our painting a façade?â
Slipping out the frequency radio from his jacket, he switched the top button and adjusted the aerial.
I gasped. âWhere did you get that?â
âDabbled in the toy department during the war. I was useless, needless to say, but my money helped buy a few of these beauties and I got to keep souvenirs.â
âSo Angela was right. You do like to spy on people.â
He shrugged, his thickened lips smacking with amusement. âThere are worse pastimes. Take our Max chap, for instance. Or Katie girl. Katie and Josh are the subjects for today. Theyâre in the room above.â
I didnât want to ask how heâd come by this information, and watching him adjust the dials on his instrument, I shook my head.
âNo prudish reprimand from you, Miss Daphne,â he warned, âfor Iâve heard all about you and your quest for adventure.â
âFrom whom, may I ask?â
âFrom a particular friend of yours.â Winking, Sir Marcus propped the radio on the sill of his easel. âNow we can listen while we paint. Think of it as aâ¦radio reading. Weâve merely tuned into episode three.â
After a brief crackle here and there, two voices became increasingly clear.
âWho? The Major? Major Browning?â I pestered Sir Marcus, but he shoved a hand over my mouth, drawing me to the