able to have managed to avoid noticing her during previous social events and balls, Lydia had been convincing herself that Sarah and Maisie had been wrong, that she herself had been wrong, wishing for something that wasnât there.
Tanner was a good friend, and nothing more; he had other obligations. Honorable, loyal. Rather like a good hunting hound, Nicole would probably have said in some disgust.
But she, Lydia, had been seeing more. Not at first, no, but ever since her return to London she had been looking at the Duke of Malvern in a new light. One in which he was not obscured by the ghost of Captain Swain Fitzgerald standing between them.
And sheâd begun weaving fanciful dreams. Sheâd deliberately refused to think about Jasmine Harburton, especially when Nicole had pointed out that a man about to be betrothed did not spend so much time squiring another young woman about London, poking into museums, dancing with her at balls.
Now she understood Tannerâs dilemma. His reluctant feet were being slowly bound up by his damnable sense of honor. It was a marvel the man could even take two steps without falling down.
âOh, look, the musicians have returned,â Jasmine said, pointing toward the small stage with her fan. âI am promised to a Mister Rupert Carstairs for this next set, whoever he is. I think heâs fairly ugly, but I was so amazed to have so many asking to partner me that I could hardly refuse him, could I? Who has written on your card?â
Lydia snapped herself back to attention and opened her dance card. Wildest. âThe Baron. Oh, dear, and I think itâs going to be a Scottish reel. I loathe the Scottish reel, but only because I seem to constantly forget the steps.â
Jasmine looked out over the floor as couples began assembling for the dance. âI donât see the baron, do you? Oh, here comes Mr. Carstairs. Such a pity he has no chin, donât you think? Shame on me. Nobody dances with me save Tanner, since everyone seems to think Iâm out of the marriage mart. Without a title or a huge dowry, Iâm good only for filling one of these chairs. And thereâs Tanner. But the baron isnât with him.â
Lydia looked up and saw the duke at once. He was alone, and looking quite serious. And, ah, so very handsome. Sheâd have to stop thinking of him as handsome.
âLadies,â he said, bowing to them both, his gaze seeming to linger on Jasmine in aâ¦well, in an appraising sort of way. âLady Lydia, Iâm here to tender the baronâs deepest apologies, as heâs found it necessary to leave without honoring your dance, and to offer myself in his place. Jasmine, whereâs Mrs. Shandy? We canât leave you here alone.â
âOh,â Jasmine said, looking to her left as if only now noticing that her chaperone had gone missing. âShe said something about seeing if there were any Gunther Ices still in the supper room downstairs. But no matter, Tanner. My partner is standing just behind you.â She leaned to her right and waggled her fingers at the tall, rather thin and, yes, chinless gentleman. âHullo again, Mr. Carstairs.â
âSheâs such a child,â Tanner said as he held out his hand to Lydia, drawing her to her feet. âHow are you two getting along? She hasnât yet talked off your ear?â
âSheâs delightful company, Tanner. I donât think Iâve had time to miss Nicole at all tonight, although I would give much to hear my sisterâs opinion of your cousin. And weâve both danced every dance.â
âWould you then care to take the air on the balcony, rather than face the floor again? As I recall, you donât much favor the Scottish reel.â
He tucked her hand into the crook of his elbow. âYet I donât recall ever mentioning that I donât care for the Scottish reel.â
âYou never have,â he told her as he steered
Abigail Madeleine u Roux Urban
Clive with Jack Du Brul Cussler