Free The Boys by Toni Sala

empty cans from the beers he occasionally got up to get from the kitchen . . . the cylindrical basket with the overflowing bag of dirty laundry. . .
    The small table was another orbiting planet, with the unplugged clock radio, green lamp with a burnt-out bulb, and little drawers that he never opened filled with coins, cards, pens, maps of cities he’d traveled to a thousand years ago, papers, photographs, and torn concert tickets . . . There was a poster the mechanic had given him, pinned up right beside the window with its blinds drawn, a blown-up photo of the latest model of a Mercedes Atego, red like his, andwith a crane and a cargo bed, but his was already twenty years old. The mechanic must have thought he could buy it, that he’d fall in love and do anything to have it; he must have taken him for a truck nut, crazy for engines. Miqui knew a few guys like that. The mechanic must have thought he’d ask for a loan—not that they’d give it to him—because his Atego was a wreck. He was always having to fix it, one patch over the next, and the mechanic had told him he could buy a new one with all he spent on repairs. Sure, he had thought. In my next life. The Atego’s nose stuck out from the middle of the stretch of wall, through a frame of white thumbtacks . . . The poster was curling slowly, puffing out slightly like a shifting sail, a carefully maneuvering truck . . .
    The closet’s open door was like a dissected wing, lined with photographs of top models, the most attractive faces of ten years past, which had yellowed in the photographs; they’d dried out on paper just as they’d dried out in real life, expired models, past their sell-by date . . . And on the top shelf of the closet there was a case with a shotgun inside, above the bar of empty hangers—he only had two shirts hung up, two ridiculous shirts he never wore—the case was half hidden amid a pile of notebooks and textbooks from high school, a dinged trophy he had won in a school literary contest, and a racket . . .
    When he was feeling good he would post the photo of a tennis player with curly hair, a guy younger than him, damp with sweat after winning a game, with two days of beard growth, clean, smiling, sporty. In his best moments, Miqui felt like that. It was like pulling back a curtain and discovering himself improved. He would confess after an endless chatsession, once the chick convinced him to meet up to have a coffee or go to bed together. Then it was time to say, “I’m not the guy in the photo,” but the conversation had already gone too far for her to really mind, and she would convince herself that she didn’t really care; anyway, the photo she’d posted wasn’t her, either. Or it was her but twenty years ago, or looking taller and more attractive, or with longer hair. On the web, everyone was very generous.
    It was hard to resist the temptation to get together with someone. He had to offset the gravity of the bodies behind these conversations. Bodies have gravity, without gravity people would float off the planet, only rooted plants would be left on Earth, the sea’s water would scatter throughout the universe, and the fish would float, dead, among the planets. He had printed out a red stop sign with the words MEETING up underneath, and taped it to his keyboard. The girls he chatted with were far away, in Barcelona at least, and he did short-haul transport, when he had work. But even if he did drive long distances, he wouldn’t have listened to the other truckers who suggested he get in touch with chicks in the places where he was headed; he didn’t want to pay for a hotel or sex. They insisted, but he wasn’t convinced. The real angels lived in Guatemala or Galicia. He ruled out chatting with anyone under twenty-five, and he chose them by their location, always at least five hundred kilometers away. They couldn’t understand why he didn’t want to meet