Free Day of Deliverance by Johnny O'Brien

crawled towards the front of the wagon where Fanshawe unearthed a small wooden chest from under a pile of clothes.
    “Here we are.”
    He took a large brass key that hung round his neck and inserted it into a lock in the front of the chest.
    “Very precious.”
    Jack looked on, intrigued. Maybe Fanshawe was about toopen a chest full of jewels or something – perhaps the lifetime takings of the Fanshawe Players.
    Fanshawe opened the lid and Jack looked down on a pile of dusty old papers and parchment. Frankly he was disappointed.
    Fanshawe beamed at Jack triumphantly. “There! What do you think?”
    Jack did not quite know what to say. The reams of ink-stained paper were covered in a scrawly handwriting that was difficult to read.
    “It’s very nice… but I don’t…”
    Fanshawe interrupted. “Look, here is the first page.”
    Jack looked down at the piece of paper that Fanshawe held in his hands.
    It read:
    Mr Harry Fanshawe’s Comedies, Histories and Tragedies.
    Below this was a contents page entitled ‘A Catalogue’ and beneath this was a series of titles divided into three sections: Comedies, Histories and Tragedies.
    Jack’s brow creased in concentration. The titles on the contents page were familiar. Then his heart missed a beat when he realised what he was looking at. In amazement, he whispered to himself, “It’s Shakespeare.”
    Fanshawe was still beaming, “I’m sorry my friend, it’s what?”
    Jack couldn’t believe it. Fanshawe seemed to be in possession of an entire volume of Shakespeare’s work. But… several years before Shakespeare had written them and over thirty years before they were compiled into a single printed edition of his work: the famous First Folio. Beattie had told them all about it. Back in the twenty-first century, there were only two hundred or so First Folios in existence. They were extremely valuable and sold for three million pounds or more. How could this possibly be in the hands of Fanshawe in the back of a mouldy old cart in the middle of a forest?
    “Did you write all this?”
    Fanshawe beamed proudly. “Every last word – that is my hand.”
    “But…”
    Jack could not understand it. Was it possible that the failed actor – Harry Fanshawe, leader of a failed troupe of players – now on his last throw of the dice to somehow link up with the great Christopher Marlowe in Cambridge and save his career, could be the author of Shakespeare’s works?
    Jack scanned the titles on the page. He had the benefit of a quick mind, but he was certainly no expert on Shakespeare. He knew Hamlet of course, but only because they were putting it on at school in a couple of weeks. He didn’t really know too much about the other plays, except what Miss Beattie had drilled into them in class. Nevertheless, as he scanned the titles in the contents page he realised that there was something wrong.
    He recognised the titles as Shakespeare’s… but not quite. It was as if they were not right, somehow. There were titles like:
    Love’s Labour’s Not Quite Found;
    The Twenty-two Gentlemen of Verona;
    The Big Storm;
    Much Ado About an Absence of Something;
    All’s Well that Ends Much Improved;
    A Midsummer Night Amongst the Fairies;
    The Tragical Historie of Dave, Prince of Denmark.
    It was apparent from the titles, that even if Fanshawe had spent a lifetime creating the work now ascribed to Shakespeare, he had perhaps not done it very well. It needed work – a lot of work.
    “Incredible,” Jack murmured.
    “You’re too kind.” Fanshawe basked in what he took to be Jack’s admiration. There was precious little of that coming from either Trinculo or Monk – whose patience with the whole Fanshawe enterprise was wearing thin.
    “Do you think I could have a look at one of the plays?”
    “Certainly, sir. Which one would you like to see?”
    “What about that one – The Tragical Historie of Dave, Prince of Denmark .”
    “Certainly, my latest and proudest achievement.”