Free The Scroll by Anne Perry

T he early winter evening was drawing in. In the antiquarian bookshop well away from the High Street in Cambridge, Monty Danforth sat in his room at the back, working on unpacking and cataloguing the books and papers from the last crate of the Greville Estate. Most of it was exactly what he would have expected: the entire works of Dickens and Thackeray, Walter Scott and Jane Austin, all in leather-bound editions; many of the Russian novelists, similarly bound; Gibbon’s Decline and Fall of the Roman Empire , Churchill’s History of the English Speaking People . There were also the usual reference books and encyclopaedias, and some rather more interesting and unusual memoirs and books on travel, especially around the Mediterranean. He did not think much of it would re-sell easily, and it would take rather a lot of space to store it.
    The owner of the shop, Roger Williams, was not well and staying at his house further north east, towards the wide, flat fen country. He might decide to auction the whole shipment off in one job lot.
    Monty peered into the bottom of the crate to make sure he had everything out of it. There was something rather like an old biscuit drum on one side. He reached in and picked it up. It was too heavy to be empty. He pried the lid off and looked inside. There was definitely something there, but it was hard to make it out.
    He took it over to the light and flicked on the switch. A yellow glow filled the room, leaving the corners even more shadowed. There was what looked like an old scroll inside the tin. He teased it out gently and put it on the table right under the light bulb. He unrolled it an inch or two at a time, and stared. There was writing on it, patchy, faded, in several places illegible. He tried to make out words, but it was very definitely not English, even of the very oldest sort. The letters were more like the little he had seen of Hebrew.
    He touched the texture of it experimentally with his finger tips. It was soft, smooth and had not the dry fragile feeling of paper, more like vellum. There were several blanks on it, and other places where the words were half-obscured by smudges, or erased altogether.
    According to what he had been told, the Greville family had travelled extensively in the Middle East in the nineteenth century and early twentieth. They could have found this scroll anywhere: Egypt, Mesopotamia, Palestine, Jordan, or what was now Israel.
    Just in case it really did have some value, he should photocopy it. That could be useful to get a translation, without sending the original.
    He stood up and took it over to the machine. He pressed the switch and it came to life. Very carefully he unrolled the first half of the scroll and laid it on the glass, then closed the lid. He pressed it for one copy. The paper rolled out onto the tray.
    He picked it up to check it for clarity. It was blank, apart from a couple of smudges.
    That was silly. He tried again, with the same result. He checked the ink, the paper, the settings, and tried a third time. Still nothing.
    He took the scroll out and tried it with an old letter from a customer.
    Perfect, every detail beautifully clear. It was not the machine. Just as well that, as always, he had his mobile phone with him; the camera in it was really rather good. Digital, of course, and you could check immediately on the result, and print it off on the computer later, if you wished.
    He took a photograph of a customer’s letter, then looked at it on the screen. It was perfect. Taking two books to hold down the ends and keep the scroll flat, he took the photograph. In the viewfinder it was perfect also, every line and smudge was there. He clicked the exposure once, twice, three times, taking the whole length. Then he looked at it. The first exposure was blank, so was the second, and the third. The vellum was clear, even to the shadows it cast on the table where the edges were torn or curled, but there was no writing on it whatsoever.
    Monty