clothingâwere they actually ink?â
âI was a calligrapher, and working on a project involving red ink.â
âYou were doing calligraphy even though you were too ill to attend a banquet for the secretary of state?â
âI felt better by then.â
âWhere were you working on this project?â
âWhere . . .?â
âJudy testified that you returned to the house form somewhere with stains in your dress.â
âJudy was mistaken. A child awakened by a noise is easily confused.â
âWhat sort of noise?â
âWhy, almost any kind.â
âNoâI mean, Judy, specifically, that night.â
âI . . . donât know.â
âBut sheâd been awakenedââ
âAnd saw me downstairs with stains on my dress and assumed Iâd been outside. I usually did my calligraphy work on the big table in the library.â
âI see. And so far as you know, there was no one on the estate that night but you and Judy.â
â. . . Thatâs right.â
I didnât like what her reaction to the series of questions had told me. Most people canât entirely mask a lie. They betray themselves with physical gestures, changes in posture and voice level, innumerable small signs. In Lisâs case it was a faint tic at the right corner of her mouth. No matter how candidly she met my eyes, she couldnât control that, and the questions about Judy seeing the stains on her dress had especially aggravated it.
Lis was hiding something, but what? What could have beenâstill was âso important that she would have died in the gas chamber in order to keep it secret?
As I studied her, she lowered her eyes, pleating the fabric of her cape between her fingers.
After a moment I asked. âCan you think of anyone else I should talk with?â
âNo.â
âWas there a friend you confided in?â
âAbout what?â
âYour husbandâs affair with Cordy McKittridge. Your feeling toward her.â
She rose suddenly and moved toward the cliffâs edge. Uneasy again, I followed. She stopped a safe distance, however, facing southwest toward the Golden Gate. Beyond the rust-red towers of the bridge a bank of fog hovered, ready to reclaim the city once darkness fell.
Lis said, âFrom here I can see almost every place except where it happened.â
âMaybe thatâs just as well.â
âI donât think so. I have to face the nightmare if Iâm going to go through with the mock trial.â
âBut not by looking at Seacliff and brooding. You wouldnât recognize much, anyway; itâs all changed.â
âYouâre probably right.â
âLis, I asked you a question. Did you tell anyone about your feelings toward Cordy?â
She continued to stare at the cityscape. After a moment she said, âI spoke of Cordy McKittridge to two people, and two people onlyâmy husband and my daughter.â
âAnd what did you say?â
She turned candid aquamarine eyes on me. This time there was no evidence of the facial tic. âI told them that I wished Cordy were dead. I sad I would gladly cut her heart out.â
CHAPTER SEVEN
âWhat kind of woman would say a thing like that to her ten-year-old daughter?â I asked Jack.
He shrugged, clearly troubled.
We were seated on the sofa in his office at a little after nine on Monday morning. The worktable was still strewn with papers, but they looked as if they hadnât been touched since yesterday. I was on my third cup of coffee; heâd downed at least that many and still seemed half asleep.
âDammit!â I pounded the arm of the sofa with my fist and only succeeded in hurting myself. âShe didnât even act as if she thought sheâd done anything wrong.â
âDonât get all riled up,â he told me absently.
âHow do you expect me not to? I should have trusted my initial