Free Haiti Noir by Edwidge Danticat

Who could ask for more? Four bedrooms is a luxury in New York!”
    The bathroom next to her bedroom was graced with an enormous bathtub on ornately decorated feet. She had it put in after visiting the house of a friend audacious enough to tell the aunt that not having a bathroom connected to the master bedroom revealed a standard of living that was borderline primitive. The Brooklyn aunt allowed no one she knew to school her, be they relatives or friends. After all, ever since she came to the States she’d worked for a rich family on Long Island, Italian Jews with a taste for the good things in life and the ability to turn their money into more money. So nouveau riche Haitians thinking they could spin yarns to her—that really takes the cake! At her last yearly visit, Beatrice had gone into long raptures about the Italian tile in the bathroom and the bouquets of artificial flowers decorating the master bedroom. The second bedroom was reserved for the few rare relatives and friends bold enough to face the aunt’s sharp tongue for more than a few hours. After all, she was a hardened spinster set in her opinions and prejudices. The third bedroom was transformed into a sewing workshop where the aunt made cushions and curtains in velvet materials she thought were fancy because her employers were crazy about them. For the moment, the fourth room, the smallest, was full of old furniture and knickknacks. It served as both a storehouse and a treasure trove. This was the shambles she counted on fixing up to take in one of her grandnieces, one of the daughters of her nephew Aramis. But which one?
    When Beatrice talked about the whims of her Brooklyn aunt, both of us would listen with a mixture of dread, fascination, and envy for that other world of perpetual wealth and light. But also with the vague fear that TB (Tante de Brooklyn), which we only called her behind her back, of course, might learn of our conversations in which we made fun of her. Still, they were so much fun and so therapeutic that we never got tired of them. We mothers. After all, it was the great-aunt who regularly wired us money and had sent for her nephew Aramis, the one who was carrying on the family name. The one who looked the most like his late father—and the one who had gotten us both pregnant roughly two days (or maybe a few hours) apart. Who knows? In any case, our daughters were born on the same day, at full term and almost at the same time. Right in the middle of an Easter Sunday, like a double, sunny act of defiance. Aramis had told his aunt about it right away. From her Brooklyn apartment, the great-aunt had used her privilege as an elder, settled in the States for more than three decades, to name the babies: Marie Catarina and Marie Carlotta, Italian names embellished with the name of the mother of God in the good old Haitian Catholic tradition. We had not protested because these imposed first names were associated with the father. For Aramis Salnave—with his aunt’s approval and an endearing smile from his sister—had legally recognized both children. I wonder what the clerk at City Hall thought when he saw the same date of birth and the names of two different mothers.
    Which one of us had first succumbed to Aramis’s charms? He’s as seductive as the most handsome of the musketeers, Beatrice would repeat, always with the same pensive, nostalgic expression for that brother who’d left too soon, and also for a time when such literary allusions did not necessarily have to be explained. She would look at us almost despairingly when we didn’t react. And yet from the very first day Aramis told me about the character to whom he owed his name, I got all excited despite myself, and without ever telling him, read and reread whole passages in the copy of the novel he’d lent me, carefully covered in plastic. His father, Hébert Salnave, had unlimited admiration for Alexandre Dumas and gave this name to his only son. Beatrice and her younger brother