Mona Lisa Eclipsing
odd, pale eyes, his body jerked as a gun fired behind him, blasting my eardrums with the close shock of the loud noise. My eyes dropped down to those deadly claws, so long and lethal and inhuman, and watched with awful fascination as they shrank down in a fluid wave of transformation to become normal nails on normal hands.
    “Silver bullets,” the pale-eyed attacker said, looking down at his unblemished chest. No exit wound. The bullet was still inside him, buried in his flesh.
    As he dropped to his knees, Roberto came into view, his dark eyes shining with satisfaction as he shot the man a second time. The bandit jerked again and collapsed on the ground.
    One moment I was alone with the fallen attacker, shielded behind Roberto and the two bodyguards; the next instant a hand grabbed me out of nowhere, an invisible hand I could not see, matched by an invisible voice that said, “Let’s go, milady, quickly.”
    “No!” Frightened and bewildered, I instinctively resisted the invisible hand gripping me. “Let me go!”
    Roberto aimed to my left and fired. More bullets whined.
    I heard, even felt, some of them passing by. Heard two of them hit their invisible target as I twisted and fought against my unseen captor. My wrist was abruptly released, and I sensed whoever had been holding me move away. He made it only a few yards away before the first drops of red blood spilled out at stomach height, as if from the very air itself. Then abruptly, as if a veil had been yanked away, a man suddenly appeared, tall, wiry thin, with short, curly brown hair. He looked like a young graduate student instead of a road bandit; certainly not someone capable of playing the invisible man and inspiring the choking amount of terror he had in me.
    All guns trained at him and fired. If I had wondered before if we were capable of moving faster than a speeding bullet, the answer is yes, sort of.
    Roberto and I were the only ones who saw the other attacker move, the biggest one, tall and strongly muscled, with a beard like the other man but shorter and more neatly clipped—the only one left uninjured among our group of attackers. He moved as I moved when I ran free, out of sight of prying eyes: inhumanly fast. He snatched up Mr. Invisible (who had now turned visible) and darted out of the way of fire before the bullets reached where the other man had been standing.
    Roberto was the only one fast enough to fire a second round. The big guy deflected two of the bullets with metal wrist guards similar to what the arctic-eyed bandit wore. Even as he ran, fast, so fast that it was nothing but a blurring streak to human eyes, I saw him turn back and look at us . . . no, not us. At the other man who had fought like him and been shot down, fallen near me, blocked from rescue behind Roberto and the bodyguards.
    “Go! Leave me,” I heard the injured man say as he tried to crawl away from us, making pitiful progress. The words should have been lost beneath the gunfire but I heard him and so did the big man.
    The large bandit raced to the naked eagle guy and swung him over his shoulder. Unhindered by their weight . . . indeed, acting as if they weighed nothing more than a feather each, he sprang into the air, one impressive bounding leap that took him to the end of the block where he veered around the corner, disappearing from sight.
    I was still reeling from what I had seen, not the world-record-breaking leap—that I could do myself, though maybe not with two other men hanging over my shoulders—but rather from what I had glimpsed when he had swung the naked man onto his shoulder: the neat Vandyke beard and mustache adorning the bird-man’s face.
    Looking just like a character out of England’s Victorian age.

SEVEN

    T HE DRIVE BACK home was made in tense silence, with the prisoner gagged and bound in handcuffs—silver, I noted, not the stainless steel they appeared to be. My nose smelled the difference. The cuffs had the same sharp metallic scent as the

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