watertight. And one of my other witnesses says that Dravidian didnât like it when the deal went sour.â
Vernon pushed his fingertips against his temples, screwing up his eyes. âI remember that we were close to settling things. Then the message came through ... Delphine received it, I remember.â
âSaying not to trust Dravidian?â
âSaying we could get a better offer elsewhere. Anthony Theobald was angry, of course: he wanted those funds so badly he was prepared to sell Delphineâs art for its scrap value.â Vernon clenched his fist in emphasis. âBut it was her lifeâs work! Sheâd put her soul into it. I couldnât stand by and see it sold off for less than a fair price.â
âSo you and Delphine decided to break off negotiations.â
âWe wished Dravidian no hard feelings.â
âBut he didnât take it well.â
âHe seemed put out, exasperated, as if he genuinely thought he was offering an honest price for Delphineâs art. He said heâd have to think twice about ever doing business with us again. He said that to withdraw from negotiations so late in a discussion was most irregular.â Vernon shook his head. âBut to go from that to ... destroying Delphineâs home ... nothing he said indicated that he was that angry. I mean, thereâs a difference between angry and murderous. Isnât there?â
âLess than youâd think.â
âDo you think he did it, Prefect? Do you think Dravidian was capable of this?â
âLetâs get back to Delphine. Was she an artist of some kind?â
âSome of us thought so.â
âWhat kind of work?â
âSculpture, mostly. Her work was brilliant. She was right to want the best price for it.â
Dreyfus thought back to the face heâd seen carved into the rock drifting through the ruins of Ruskin-Sartorious. He couldnât deny the power of the piece, but thereâd been nothing useful about it in the forensics summary.
âWas she working on anything at the time of the attack?â
âWell, not literally, but sheâd been busy with a big piece for several months. Part of her Lascaille series.â The young man shrugged. âIt was just a phase she was going through.â
The word âLascailleâ meant something to Dreyfus, just as he was sure heâd recognised the face in the rock, but neither shed any immediate light on the other. It was only a work of art, but anything that offered a window into Delphineâs head might be useful in determining her role in events. He made a mental note to look into the matter later.
âHow did you come to know her?â he asked. âWere you married?â
âWe were supposed to be married. Ruskin-Sartorious was in financial difficulties and Anthony Theobald thought he could solve the Bubbleâs problems by marrying his daughter off to the son of another habitat. He already had ties to Macro Hektor Industrial: weâd installed his anti-collision defences and he was in debt to us. I was the scion of one of the most powerful family lines within Industrial. Negotiations took place behind our backs. Delphine and I didnât like that very much.â He smiled sadly. âBut that didnât stop us from falling in love for real.â
âSo Anthony Theobald got what he wanted?â
âNot exactly. My family had expectations that Iâd become another partner in the defence-design business. Unfortunately, I had other plans. I decided to leave Industrial, severing ties to both my family and the business, and join Delphine in the Bubble. Iâd become inspired by her art, convinced that I might have something of the same genius lying untapped within myself. It took me about three months to realise that I had no undeveloped talent whatsoever.â
âTakes some people a lifetime.â
âBut I did realise that I could help Delphine. I
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