âDo you suppose itâs possible to murder God?â
Gretel was Gottliebâs most troubling patient. She was clairvoyant. She was also, he feared, quite mad.
He paused in the midst of jotting a note in her file. Capping his fountain pen and setting it on the desk, alongside the blotter, gained his scattered thoughts a few seconds to catch up with her. âI beg your pardon?â
âIf He is omniscient and infallible, then surely He would see the moment and manner of His own passing. Knowing this, and being infallible, He could prevent it. Yet to do so would imply His prescience was imperfect. While not doing so would mean He is not eternal.â She sighed.
Gottlieb said, âThe death of God is a metaphor. It isnât meant as a literal, corporeal death. It represents the overthrow of God through modern manâs diminished need for external sources of wisdom.â
Nietzsche was required reading at the farm. But only the approved works, of course.
Gretel frowned and turned her gaze to the open window. The wool of her peasant dress rasped across the wires draped over her shoulder. The wires emerged from rivets in her skull, spiraling down through her raven-black locks to dangle at her waist. Sunlight glinted on the copper connectors; like the other subjects, she wore a battery only during tests. Her hair had grown thick and lustrous since Dr. von Westarp finalized the locations of the electrodes in her brain, and thus suspended the surgeries.
It was the last day of May and the first sunny day in a week. A breeze fluttered swastika banners atop the farmhouse. Moments later it ruffled the papers on Gottliebâs desk, filling his office with the loamy smell of rain-damp earth. Birdsong twittered through the forest surrounding the former orphanage, punctuated by steady hammering from a nearby construction project. If Gottlieb strained, he could just make out the rhythmic crunch of shovels and picks from the Schutzstaffel squad trying to recover Oskarâs body.
Gretel said, âBut for the sake of argument.â
âVery well,â said Gottlieb. He leaned back, crossed his arms. âThere is no paradox if He chooses to die.â
Gretel shook her head. âIâm not talking about Jesus Christ. And changing the question from murder to suicide doesnât avoid the problem. If He is omnipotent and infallible, He can end anything permanently, including His eternal life. But if He is in fact eternal, He cannot die.â
âIn that case, I suppose He would choose to be permanently mortal.â
âNobody can know the mind of God, Doctor.â
Gottlieb saw a way to turn the conversation back to the topic at hand. He said, âYouâve developed an interesting preoccupation, in light of yesterday.â But she didnât take his opening, so he forged ahead: âDid you have foreknowledge of the accident, Gretel? Did you foresee Oskarâs death?â
âI couldnât see anything after the power went out.â
The power surge had shorted out Gottliebâs desk lamp. It had been a gift from his father; the base was Meissen porcelain, from the works near Dresden. But the farm had electrical engineers on staff. Perhaps they could fixâ
Gretel had changed the subject again. She was good at that. Which was consistent with his diagnosis.
He started to confront her deflection, but stopped to listen: Plop. Drip. Plop.
Gottlieb peered over the desk. Mud caked the soles of her bare feet and the spaces where it had squelched between her toes. And now clumps of it plopped to Gottliebâs office rug as her feet dried. Morning dew had wicked into the hem of Gretelâs dress, darkening the pale blue wool. Sheâd been to the meadow again.
Gottlieb pointed to the sprig of lavender tucked behind her ear. âI see youâve gone back to picking wildflowers.â
âYes.â
âYou were hunting mushrooms yesterday, as I