loops the rest of it around his elbow. âWhat were you guys doing out here, anyway?â
âNothing,â I say, right at the same time Kat practically shoves me forward.
âParker can tell you all about it on the way home. You donât mind giving her a ride, do you?â
âSure. No problem.â Trevor looks from Kat to me. âYou ready?â
Kat smiles sweetly at me, and Iâm left powerless against her.
âUm . . . let me just go get my bag.â And a little courage, and maybe a spritz of perfume and a mint or something. Iâm sure I smell awesome after my mud bath.
When I get in, the inside of Trevorâs car does smell awesome. And itâs immaculateânot an empty gum wrapper or stray penny anywhere, which makes me all the more conscious of my muddy clothes sitting in the front seat. And of how close we are. And of how awkwardly quiet it is all of a sudden as we work our way back to the main highway. Itâs easy to quip back and forth in the hall with Kat around, but alone together in his car is a different story. I am quipless. But he is too, it seems.
I clear my throat. âThanks. That was really nice of you to drive all the way out there for us. We wouldâve been stuck out there forever otherwise.â
âNo problem.â He glances over at me. âSo . . . do I get to know what you guys were doing out there?â
âI was looking for something.â
âOh. Thatâs specific.â
âIt was stupid. You donât wanna know what it was.â
âNo, now I donât at all,â he says.
We drive in silence for thirty seconds that feels like itâs stretched out into thirty minutes. âOkay,â I say, unable to handle the quiet any longer. âYou know Shane Cruz and Julianna Farnetti?â
âYou mean them?â He points, and I look up in time to see the billboard coming up on the shoulder. I hadnât thought of it for a long time before yesterday. I donât think most people do anymore. Thatâs just how it goes with the things you see every day. Eventually they start to fade into the background. But now that her journal is in my backpack, and the snow has melted, their pictures are visible again beneath the foggy plexiglass. I see them in a whole new light.
âYes, them,â I say. I keep my eyes on Julianna as we get closer, canât take them off of her, actually. In my memory sheâs older, and much more grown up than me. But in her senior picture on the billboard, she looks young, like she could be anyone in my class. And she couldâve. Iâm the same age as she was when she died. The same age as she was when she wrote on those pages of the journal thatâs sitting in my backpack on the floor of Trevorâs car right now. I keep my eyes on her even as we pass by, sad for her all of a sudden because I think again of that first line on that first page. The place where Iâm at in life, that feels like the beginning ofeverything, was the end for her. For a moment it makes me sadder than it should.
âWhat about them?â Trevor asks, pulling me back.
âOhâI, um, I heard somewhere that their initials are carved into one of the trees out there, and I wanted to go find them. I donât know why. Itâs stupid.â
Trevor shrugs. âItâs not that stupid. Theyâre kind of like cult figures around here. Town history. I get it.â
âIâve never thought of them as cult figures, but I guess itâs true, in a way. I think because everyone remembers when they disappeared.â We pass the billboard and I watch the road. âMy dad was on the search party that went out for them the day after they crashed, and I have this vivid memory of him coming home after. He was standing in the kitchen, telling my mom the whole thing about how they found the Jeep upside down at the bottom of the ravine near the river and how
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