him . . .
âItâs the truth, Frankie. Honest.â
The duffle bag clatters. âCan we go, X? This chick is boring me.â
Now I remember. The cafe. The phone call from some guy called Nate. The âfavourâ.
I face Nate; the guy is sneering. I mean genuine, silent-movie-bad-guy sneering. This pathetic excuse for a punk is Fagin to my brotherâs Oliver Twist. This guy is going down.
âWell, how about I grab Uncle Terryâs baseball bat? Itâs perfect for playing Pin the Jackass with a Right Hook.â
Nate leans forward, challenge in his eyes. âSure. Like to see you try.â
I feel the red descending. Thatâs it. I lunge forward, but Xavier grabs me and hauls me back. âShit, Frankie,â he says, breathless. âCalm down.â
âIâll calm down after Hamburglar takes his skinny arse back to whatever butt crack he crawled out of.â
Nate scowls. âIf you were a guy youâd be flat on your back right now. Iâd have hit you so hard . . .â
âAnd if you were a guy Iâd be impressed.â I kick out, aiming squarely for Nateâs balls, but Xavier holds me back again and all I get is air.
Then Xavier shoves me. Not hard, but enough. I stumble, crashing into the dumpster. Iâm too shocked to say anything.
Xavier runs his hands through his damp hair as he starts walking away. âIâm sorry, okay, but you donât know shit about it. I didnât have a choice. Iâm in way over my head and I . . . Screw it.â He turns his back on me, hunching his shoulders and digging his hands into his pockets. âItâs not my fault, okay?â
I open my mouth but nothing comes out. Just a cloud of foggy air. My back stings; funny how bashing into a dumpster feels like taking a knife in the back.
Nate grips the duffle bag and hoists it over his shoulder. âPleasure to meet you,â he says, and salutes. Then he gives me the finger as Xavier drags him round the corner.
When theyâre gone, the alley is silent and Iâm breathing hard. I think about punching the wall, right between the two Ks in Jackknife.
A pigeon picks at a rotting tomato thatâs fallen out of the garbage bag.
âPiss off,â I tell it.
The bird grips the tomato in its beak and flies away.
I perch on a stool in the front of the shop and lean my forehead against the glass. The crack in the Emporiumâs front window might be giving Smith Street its cheesiest grin, but Iâm giving it one hell of a scowl. My breath fogs up the glass.
âAre you going to mope around this place all day? Youâre scaring off customers.â Vinnieâs on her knees, filling up the drinks fridge.
Thereâs only one couple in the shop, eating their Magpie Kebabs in silence (no actual magpies were harmed in the making of the kebabs â just donât ask what happened to the chickens).
I draw a frownie face in the huffed-up glass. Maybe I will stay here. Maybe Iâll never leave. Ever.
âDo your homework. Didnât they give you a heap when you first got suspended?â
âDone it.â
The fridge door slams shut. Vinnie grips the handle to pull herself up. âIâm not even going to act like I believe that.â
Outside, a tram rattles uphill, cutting through the rain shooting down at an angle. People walking past hold their umbrellas out in front and duck their heads.
Vinnieâs got nothing to worry about. Iâve been totally productive this morning. I made a list: Xavierâs pros and cons.
Pro: He brings me dumplings.
Con: He lied to me about the vinyl.
Pro: Heâs the only other person who knows what it means to be the spawn of Juliet Vega.
Con: It looks like he might have inherited some of her less desirable traits.
Pro: Heâs a stupidly talented artist.
Con: He might also be a stupidly talented con artist.
A dark-grey sedan parallel parks