Free Across the Bridge by Mavis Gallant Page A

magistrate said. (Without lifting his head from his homework, Pascal could take in nearly everything uttered in the hall, on the stairs, and in two adjacent rooms.)
    When they were all four at breakfast Mme. Brouet repeated her brother’s name in every second sentence: wondering if Dédé wanted more toast, if someone would please pass him the strawberry jam, if he had enough blankets on his bed, if he needed an extra key. (He was a great loser of keys.) The magistrate examined his three morning papers. He did not want to have to pass anything to Harpo. Mme. Brouet was really just speaking to herself.
    That autumn, Dédé worked at a correspondence course, in preparation for a competitive civil-service examination. If he was among the first dozen, eliminating perhaps hundreds of clever young men and women, he would be eligible for a post in the nation’s railway system. His work would be indoors, of course; no one expected him to be out in all weathers, trudging alongside the tracks, looking for something to repair. Great artists, leaders of honor and reputation, had got their start at a desk in a railway office. Pascal’s mother, whenever she said this, had to pause, as she searched her mind for their names. The railway had always been a seedbed of outstanding careers, she would continue. She would then point out to Dédé that their father had been a supervisor of public works.
    After breakfast Dédé wound a long scarf around his neck and walked Pascal to school. He had invented an apartment with movable walls. Everything one needed could be got within reach by pulling a few levers or pressing a button. You could spend your life in the middle of a room without having to stir. He and Pascal refined the invention; that was what they talked about, on the way to Pascal’s school. Then Dédé came home and studied until lunchtime. In the afternoon he drew new designs of his idea. Perhaps he was lonely. The doctor looking after his mother had asked him not to call or write, for the moment.
    Pascal’s mother believed Dédé needed a woman friend, even though he was not ready to get married. Pascal heard her say,“Art and science, architecture, culture.” These were the factors that could change Dédé’s life, and to which he would find access through the right kind of woman. Mme. Brouet had someone in mind – Mlle. Turbin, who held a position of some responsibility in a travel agency. She was often sent abroad to rescue visitors or check their complaints. Today’s lunch had been planned around her, but at the last minute she had been called to Greece, where a tourist, bitten by a dog, had received an emergency specific for rabies, and believed the Greeks were trying to kill him.
    Her parents had come, nevertheless. It was a privilege to meet the magistrate and to visit a rare old house, one of the last of its kind still in private hands. Before lunch Mme. Turbin had asked to be shown around. Mme. Brouet conducted a tour for the women, taking care not to open the door to Dédé’s room: there had been a fire in a wastepaper basket only a few hours before, and everything in there was charred or singed or soaked.
    At lunch, breaking out of politics, M. Turbin described the treatment the tourist in Salonika had most probably received: it was the same the world over, and incurred the use of a long needle. He held out his knife, to show the approximate length.
    “Stop!” cried Mme. Chevallier-Crochet. She put her napkin over her nose and mouth; all they could see was her wild eyes. Everyone stopped eating, forks suspended – all but the magistrate, who was pushing aside shreds of cabbage to get at the last of the partridge.
    M. Chevallier-Crochet explained that his wife was afraid of needles. He could not account for it; he had not known her as a child. It seemed to be a singular fear, one that set her apart. Meantime, his wife closed her eyes; opened them, though not as wide as before; placed her napkin neatly across her