understand. But she seemed so blank to meâso removed. As if Price counted, but her best friend, Fraser, that girl she used to play with on the back steps, was someone she only vaguely remembered.
âWhat about you? Your teeth are straight. Your figure is a modelâs dream. Your hair is satin honey.â
âNot my body, Annie. Not Michaelâs body either. I just sometimes feel overpowered.â
Annie laughed. âI love it. The cover of adult romances. Where the masterful man stands behind the delicate shoulder of the helpless girl and you canât decide if heâs going to lead her astray or guide her into happiness ever after.â
There is nothing worse than trying to express a profound thought and having the other person not catch on. You feel stupid, and you feel angry, and whatâs worse, you really do feel helpless. Words arenât going to get you anywhere. âIâm not helpless, Annie. You donât understand. It just doesnât feel one hundred per cent right to me. I have all these doubts about itâabout me, about Michael and me.â
âOh, Fraser,â said Annie, and the irritation surfaced in her voice instead of mine. âThereâs no such thing as one hundred per cent right. The finest musical performance in the world could still be improved. The best paper ever written could still include more information. Michael is as close to perfection as boys come. You should be thrilled. Itâs so annoying to have you get so picky every time we turn around. What in the world is there for you to be discontented about?â
I got off the bed. Annie has two full-length mirrors, so she can see herself from any angle. I caught my expression in them. I looked fretful. Whining. Like the little kids at Toybrary when their mothers wonât let them take out toys with 498 pieces.
âYour complexion is perfect,â said Annie. âStop worrying.â
âItâs not my complexion, Annie. Itâs life.â
âBelieve me, Fraser, this life beats the one where we hung around a gazebo exchanging watermelons and pretended that life was splendid without boys.â
She began talking about Price, about their plans for the future, about college and marriage.
I felt like a child Kit Liptonâs age. Still bogged down in roller skates, ballerina costumes, Barbie Dolls and bubble bath. It was Annie who had crossed the line into adulthood: into that pairing-off that everybody, from my mother to Lynn to Judith, strived for. I was still a child.
I looked around Annieâs room and saw that many of the watermelons had made way for photographs of Price, for dinner menus where she had eaten with Price, for a faded corsage Price had given her.
We really are just watermelon friends now, I thought. Friends left over from grade school. Friends who skinned their knees together and learned jumprope rhymes together and practiced putting on mascara together back when they still werenât allowed to wear makeup out of the house.
Iâm the one whoâs immature, I thought. All this time I prided myself on being mature. I was the organizer. The one who gave speeches and mustered group efforts and rallied people to work with me. Annie was the simple-minded violinist who tagged along.
I had it backward. Annieâs the adult. Look at her with Price. I canât share that much. My whole life? Are they kidding? They really want me to take my entire life and fold it into Michaelâs like one strand of a braid?
Iâm like a spill, I thought. Michael is like a paper towel.
If I lie down next to him, Iâll be absorbed, until Iâm nothing but Michael. Except that Michael is perfect. Iâve never known a boy as wonderful.
âOh, that reminds me,â said Annie, but I had not been listening, and I did not know what reminded her of something. âI stumbled on a Christmas present I made for you and forgot to give you. Oh, well. You can