over their gaping mouths and staring eyesâand then, the light passing to the other side, some seemed to shut those eyes, or grimace in anger.
âGo on,â Mauryl said grimly when they reached the balcony of Maurylâs room, and Tristen took the next stairs. Beyond the outward rail, Maurylâs light drowned in the dark and failed, and Tristen kept descending as Maurylâs step-tap, step-tap , pursued him down and around and onto his own balcony.
It pursued him likewise toward his own open and abandoned door, as the light in Maurylâs hand chased the dark ahead of him, and in sudden dread of the dark in his own room, he let Maurylâs light overtake him.
âThe candle blew out,â he said.
âTo bed,â Mauryl said with the same unforgiving grimness, and Tristen got in under the cold bedclothes, shivering, glad when Mauryl, leaning his staff against the door, used his candle to light the remaining candle at his bedside, the watch-candle having burned down to a guttered stub.
âI didnât mean to make you angry,â Tristen said. âI heard the noise. Iâm sorry.â
Mauryl picked up the cup from beside the candle and wiped the inside with his finger, frowning, not seeming so angry, now. Tristen waited, wondering if Mauryl would go away, or scold him, or what. The bedclothes were cold against his skin. He hoped for a more kindly judgment, at least a fairer one, by the look on Maurylâs face.
âMy fault,â Mauryl said. âMy fault, not yours.â Mauryl tugged the quilts up over his bare shoulder. So, Tristen thought, Mauryl had forgiven him for whatever he had done by leaving his room. He wished he understood. Words that came to him with such strange clarityâbut the danger tonight, and why Mauryl was angryâit seemed never the important things that came easily and quickly, only the trivial ones.
Then Mauryl sat down on the side of his bed, leaned a hand on the quilts the other side of his knee, the way Mauryl had sometimes talked to him at bedtime, a recollection of comfortable times, of his first days with Mauryl. âYou put us both in danger,â Mauryl said, and patted his knee so that the sting of the words was diminished. âIt was foolish of you to run. You startled me. Next timeâ¦next time, stay where you are. I know the dangers. Iâve set defenses around us. You attracted attention, most surely, dangerous attentionâas dangerous as opening a door.â
âCanât it get in the holes?â he asked. âThe pigeons do.â
âItâs not a pigeon. It canât, no. It has to be a door or a window.â
âWhy?â
Mauryl shrugged. The candlelight seemed friendlier now. It glowed on Maurylâs silver hair and gave a warmer flush to his skin. âIt must. Thereâs a magic to doors and windows. When the foundations of a place are laid down, they become a Line on the earth. And doors and windows are appointed for comings and goings, but no place else. Masons know such things. So do Spirits.â
They were Words, tasting, the one, of stone and secrets, but the otherâ
He gave a shiver, knowing then, that it was a spirit they feared. Other Words poured inâDead, and Ghost, and Haunt.
He thought, Mauryl fears this spirit. Thatâs why we latch the doors and windows. It wants in.
âWhy?â he asked. âWhy does it want to come in?â
âTo do us harm.â
âWhy?â
âItâs a wicked thing. A cruel thing. One day it will have you to fear, boy, but for now it fears me. Go to sleep. Go to sleep now. There will be no more noises.â
âWhat were they? Was it the Shadows?â
âNothing to concern you. Nothing you need know. Go to sleep, I say. Iâll leave the candle.â Mauryl stood up, reached toward his face and brushed his eyelids shut with his fingertips. âSleep.â
He couldnât open them. They were too
Gina Whitney, Leddy Harper